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Monthly Archives: August 2010

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Observations From Cooperstown: The Vets' Committee, Park, and Loes

For all of the Yankees’ success since purchasing George Herman Ruth in 1920, the franchise has yet to place one of its owners in the Hall of Fame. Now I suppose you could bring up the case of Larry MacPhail, but he was a part owner for only three seasons and his Yankee ownership has little to do with his Hall of Fame membership. So let’s count him out of this equation. Jacob Ruppert, despite an impressive run of success that lasted nearly two decades and totaled ten world championships, is not a member of the Hall of Fame. Dan Topping and Del Webb aren’t enshrined in the Cooperstown fraternity, either. Nor are the infamous Bill Devery and Frank Farrell. CBS certainly doesn’t have a place in the Hall, not after its reign of mediocrity from 1964 to 1973.

The absence of Yankee ownership in Cooperstown could end later this year. Although the news fell well under the radar, the Hall of Fame recently announced radical changes to its Veterans’ Committee procedures. Gone is the old system in which executives and managers were considered in odd-numbered years (2011, 2013, 2015), while old-time players were voted upon in even-numbered years (2010, 2012, 2014). Under the new system, the Vets’ Committee will consider ballots based on eras: Pre-Integration (1871 to 1946), the Golden Era (1947 to 1972), and the Expansion Era (1973 on). Golden Era candidates will be considered next year (2011) and Pre-Expansion candidates will be looked at the following year (2012).

That leaves Expansion Era candidates for this winter. So who exactly will qualify under the category of the Expansion Era? According to the Hall of Fame, Expansion Era candidates will be classified as players or executives who put forth the “greatest contributions” of their careers from 1973 on. Obviously, the late George Steinbrenner, who purchased the Yankees in 1973, would fall under the umbrella of the Expansion Era. That means that Steinbrenner would not have to wait until next winter, but could be elected to the Hall of Fame this December, with his posthumous induction potentially taking place in July of 2011. That could make for an interesting scene next summer in Cooperstown, which is a relatively short four-hour car ride from the Bronx.

Several ex-Yankee players will also be eligible for election in December. The list includes three particularly strong candidates in Graig Nettles, Tommy John, and Luis Tiant, along with an enormous longshot in Bobby Bonds. Under the new rules, the living Hall of Famers, who have been notoriously stingy in their balloting (to the point of putting in exactly ZERO players over the past decade), will no longer vote on retired players. The vote has instead been given to a 16-member committee that will be divided between writers, historians, executives, and a select few Hall of Famers. Given the new composition of the Veterans’ Committee, we can expect it to become much easier for some of the retired players to achieve the 75 per cent of the vote needed for election. Who knows, perhaps The Boss will be joined by John and Tiant in next summer’s induction class. And if the committee puts in one of my old favorites like Nettles, I might just have to buy a round at Cooley’s on Pioneer Street…

(more…)

State of Grace

Dig this short piece on the strange grace of players trading places by an Astros fan over at the most excellent blog, Pitchers and Poets:

Today, I’ve got my Berkman t-shirt on. It’s clean, and fits me well. And I look forward to see him wear Yankee pinstripes, odd as that may be to say. Great players should play on big stages, and though he’s past his greatest days, his swing is still pretty and he does well what the Yankees like in their players: getting on base and playing well calmly. Same, too, for Roy Oswalt, though he’ll be in the same league. He’ll show some new fans what he does well, and that’s something.

There is pleasure to be had in seeing something well-known and beloved in a different setting. You can’t stand still, after all. You’ve got to move forward.

[Photo Credit: Boston.com]

Always Be Closing

Over at the Baseball Analysts, Jeremy Greenhouse takes a look at three pitchers who possess another gear.

Beat of the Day

Breakfast with Bob.

From the stellar 1966 Playboy Interview:

PLAYBOY: Some of your old fans would agree with you – and not in a complimentary vein – since your debut with the rock-‘n’-roll combo at last year’s Newport Folk Festival, where many of them booed you loudly for “selling out” to commercial pop tastes. The early Bob Dylan, they felt, was the “pure” Bob Dylan. How do you feel about it?

DYLAN: I was kind of stunned. But I can’t put anybody down for coming and booing: after all, they paid to get in. They could have been maybe a little guieter and not so persistent, though. There were a lot of old people there, too; lots of whole families had driven down from Vermont, lots of nurses and their parents, and well, like they just came to hear some relaxing hoedowns, you know, maybe an Indian polka or two. And just when everything’s going all right, here I come on, and the whole place turns into a beer factory. There were a lot of people there who were very pleased that I got booed. I saw them afterward. I do resent somewhat, though, that everybody that booed said they did it because they were old fans.

PLAYBOY: What about their charge that you vulgarized your natural gifts?

DYLAN: What can I say? I’d like to see one of these so-called fans. I’d like to have him blindfolded and brought to me. It’s like going out to the desert and screaming and then having little kids throw their sandbox at you. I’m only 24. These people that said this – were they Americans?

Breaks of the Game

The great Ted Berg talks Red Sox:

;

Bad break for the Sox today, as they’ve lost Kevin Youkilis for the rest of the season.

Steve Lombardi thinks the Red Sox might thrive despite the loss because Josh Beckett is back; over at the Boston Globe, however, Bob Ryan says there is no way the Sox can overcome this one:

The Best Place

The Twins beat the Rays this afternoon, putting the Yanks back in first by a half-a-game.

[Picture by Bags]

Beat of the Day

The Beat Conductor vs Metal Face:

Taster's Cherce

David Lebovitz, you’re a good man.

Here, he hips us to RUB barbeque. Many thanks. Looks like one is worth a try.

Million Dollar Movie

IF YOU’RE NOT KNIEVEL, YOU’RE NOT #1


It was the 1970s, and the bewildered youth of America needed a hero. Instead, we got Evel Knievel. Knievel, the self-proclaimed world’s greatest daredevil, roared out of Butte, Montana sometime in the 1960s with a unique flair for self-promotion, a collection of red, white and blue capes and a willingness to put himself in harm’s way by jumping over things on a motorcycle. Cars, Greyhound buses, a shark tank – Knievel revved up his motorcycle and flew over them. Sometimes he landed safely, sometimes he’d crash or careen out of control, his body thrown across the tarmac like an unwanted rag doll, leaving Wide World Of Sports announcers to ask each other “Will this be Evel’s final jump?”

In any era, a self-made celebrity like Knievel is bound to wind up on the silver screen. Knievel’s story was told in an eponymously titled 1971 film starring George Hamilton as Knievel, who famously described himself as “the last gladiator.” However, after his infamous Snake River Canyon jump, his line of toy cycles and dolls and another 5 years of jumps and crashes, the time was right to try to make a movie star out of Evel himself.

Thus, in 1977, movie audiences around the world were treated to Viva Knievel!, starring Evel Knievel as…Evel Knievel.  Could he act? Would it matter?  Not to kids like me, who could barely put down our Stunt Cycles or put away our Tour Vans long enough to sit through one of the greatest bad movies of all time.

As a film, Viva Knievel! is much like watching one of Knievel’s crashes. It’s an unholy mess, and yet we can’t look away, and it contains one of the strangest casts in movie history. Gordon Douglas directed the film, and one wonders if he got the job due to his rapport with Frank Sinatra. Douglas directed Sinatra in five films in the 1960s and was known as one of the few directors who could control Sinatra or at least get along with him. Warner Brothers may have felt he’d be the man to ride rein on Knievel.  The problem with that thinking is that Frank Sinatra may have been difficult, but he could actually act and pretty damned well when he wanted to.

The film opens with Knievel sneaking into an orphanage at night to bring children the uplifting gift of Evel Knievel action figures. One child is so moved by Knievel’s presence, he throws away his crutches and tells Knievel he’s the reason he can walk again. That’s right folks – Knievel might have inspired your children to shatter their own bones emulating his crazy stunts, but don’t worry – his inspiration will have them out of their hospital beds in no time at all.

Soon enough, Knievel’s setting up his next jump with his alcoholic mechanic sidekick Will, played by Gene Kelly. GENE KELLY? Yes, that Gene Kelly. The cinematic icon, beloved the world over, now inexplicably reduced to playing Evel Knievel’s second banana. (What’s worse is that Kelly is genuinely bad in the role.) We also meet Evel’s unscrupulous promoter, played by Red Buttons. Apparently Warner Brothers was under the impression that the best way to make Knievel a movie star was to surround him with people who were really current and hip in 1977, you know, like Red Buttons and Gene Kelly.  We’re treated to a great scene of Kelly threatening Buttons because he feels Evel’s last jump hadn’t been safe enough.

“What’s the matter with you? Evel is my pal too!” is Buttons’ meek response.

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What 600 Might Mean


I had been planning a longer piece on the historical significance of Alex Rodríguez‘s 600th home run, focusing specifically on the rapidly growing ranks of the four-, five-, and six-hundred home run clubs, but since I couldn’t possibly come with anything better or more thorough than Joe Posnanski’s recent column over at SI.com, I thought I might go in a different direction.

It used to be that hitting four-hundred home runs gave you an automatic ticket to Cooperstown, but then Dave Kingman had to go and mess things up by hitting 442 home runs.  Since any rational person knew that Kingman most definitely did NOT belong in the Hall of Fame, the entrance requirements were rewritten.  Now 500 was the milestone you’d have to hit to assure your place in the Hall, and for a long time that number seemed nonnegotiable.  But you know what happened next.

If you take a look at the top twenty-five players on the all-time home run list and scan up starting with Eddie Murray’s 504 , you’ll see a host of names that will never be enshrined in Cooperstown.  There’s certainly a lingering drug cloud that will keep several of them out, people like Barry Bonds and the Unholy Trinity of McGwire, Sosa, and Palmeiro, but there are others who simply don’t seem to belong.  Gary Sheffield comes to mind, drugs or no drugs.  And I know Jim Thome‘s had a nice career and will finish with more home runs than all but six or seven guys, but somehow I don’t think Hall of Famer when I look at him.

So what do 600 home runs mean for Alex Rodríguez?  It was just a few years ago that people looked at him completely differently.  Boxing had a string of Great White Hopes, but A-Rod was baseball’s Great Clean Hope.  He was the one who could race to the top of the charts, surpassing Bonds and scoring a victory for what we hoped was clean baseball.  (This, by the way, is the part where I resist the urge to launch into a diatribe on the hypocrisy of a sport that allowed amphetamine use for decades, or start talking about the slippery slope of ligament transplants and lasix surgery.  But I digress.)

But with great hope comes great disappointment, and so it was with Rodríguez.  The optimists among us suddenly had no ammunition against the pessimists.  Maybe everyone really was juicing.  Maybe nothing was real.  And so when A-Rod came to bat with 599 home runs in Cleveland and Kansas City, people booed as they waited for history.  There weren’t as many asterisks as we saw in the stands when Bonds was chasing 755, but they were definitely there.

So the question now is, will Alex Rodríguez be elected to the Hall of Fame?  Even though he may end up with something in the neighborhood of 800 home runs, there are those who believe the doors to the Hall are closed to him forever.  Buster Olney doesn’t think his colleagues will ever elect him, but Olney himself has voted for McGwire and plans to vote for Bonds, Sosa, Clemens, and A-Rod once they’re eligible.  Here’s the money quote from his larger explanation:

I think most of the elite players were using performance-enhancing drugs, and within the context of that time — when baseball wasn’t doing anything to stop the growth of drug use — this was what the sport was. And we don’t know exactly who did what. There are a lot of superstar players who were broadly suspected within the sport of having used steroids, but they avoided the crossfire; the only difference between those guys and McGwire was that McGwire had Jose Canseco as a teammate. And here’s the other thing — we don’t know exactly who did what, and when they did it. So I think in order to have a consistent standard when considering the steroid-era players, you either have to vote for no one at all, or set aside the steroid issue and just vote for the best players of the era.

Alex Rodríguez, then, emerges as the ultimate test case.  Most of the big-name steriod users saw their names dragged in the mud after their careers had ended.  A-Rod had the sense to admit what he had done, which might count for something with some writers, and by the time he retires he will have played six to eight years — presumably clean — following that admission.  Certainly some writers will never forget the stain, but I hope that enough do.  Alex Rodríguez belongs in the Hall of Fame.

[Photo Credit: Simon Bruty/Sports Illustrated/Larry Roibal]

The Other 8 1/2 Innings

Sure, Shaun Marcum gave up Alex Rodriguez’s 600th home run in the bottom of the first inning Wednesday afternoon, but in the early innings of the game, he was pitching better than Phil Hughes, who didn’t give up a run until the fourth. Hughes, who later revealed he had a head cold on a muggy afternoon in the Bronx, just didn’t look sharp early on, and though he retired the first six men he faced, striking out three, he needed 28 pitches to do it and seemed to get away with a number of mistakes.

Hughes opened the third by walking Lyle Overbay, then gave up a single to Edwin Encarnacion, but despite Overbay reaching third base with one out after a fly to center field by John McDonald, Hughes wiggled out of the jam, getting Travis Snider to pop out and Aaron Hill to ground out to third.

Marcum, meanwhile, allowed three runs on five hits in the first three innings, but looked sharp and seemed to be making his pitches. Derek Jeter led off the first with a slow ground ball that just happened to find the hole between short and third. Marcum then struck out Nick Swisher on a perfectly placed cutter and got Mark Teixeira to pop out on two pitches. Marcum’s first two pitches to Rodriguez were off the plate inside, but his third was a hanging slider out over the outside half of the plate, and Rodriguez got his arms extended and lifted it into the netting over Monument Park just a few feet to the right of dead center field.

I was pleased to see that the game didn’t really stop the way it did when Derek Jeter passed Lou Gehrig for first place on the all-time Yankee hit list, and his teammates all came out of the dugout to congratulate him. The team did great Rodriguez in front of the dugout, but the hugs and congratulations weren’t extended, and his subsequent curtain call, while it was a full-on Reggie (both feet on the grass), also didn’t linger excessively.

In the second, Marcum got Jorge Posada to ground out on his first pitch, then struck out Lance Berkman before Curtis Granderson delivered a two-out single. Granderson stole second, almost breaking both ankles with a horrific slide less “into” and more “near” second base, but Marcum struck out Brett Gardner to end the threat.

In the third, Jeter shot a ground-ball double down the left field line, and with one out, Mark Teixeira went down and got a low outside curveball and yanked it into right field for an RBI double. Rodriguez and Robinson Cano then both ground out weakly to strand Teixeira at second.

Rodriguez’s homer didn’t break the damn of his recent slump. After that weak groundout, he popped out to short in the fifth and ground back to reliever Shawn Camp in the seventh, but you could see the relief and relaxation in his face during his post-game press conference, after which he gave the security guard who retrieved the ball from Monument Park a signed bat in exchange for the milestone rock.

The Yankees padded their lead in the fifth, with Marcum starting to look more the part of the losing pitcher. Gardner led off with a ground rule double to right that bounced off a fan’s shoulder and back onto the field (Mr. Wonderful Jose Bautista flipped the ball back to her). Jeter then dropped down a perfect bunt single up the third base line, moving Gardner to third. Nick Swisher walked, and Teixeira delivered a two-RBI single to set the eventual final score at 5-1.

The lone Toronto run came off Hughes in the fourth. That man Bautista led off with a single. With one out, Adam Lind walked, and with two outs, Lyle Overbay delivered an RBI double. Hughes then struck out Edwin Encarnacion to end the threat.

Hughes never really did settle down, but he never really got in much trouble either. He just sort of labored through his 5 1/3 innings. After Bautista led off the sixth with a rare single to right that he practically queued off the end of his bat while trying to pull the ball, Vernon Wells sent Hughes’ 100th pitch to the wall in the left-center-field gap on such a massive arch that Granderson had plenty of time to drift over and catch it with his shoulder pressed against the padding.

That was enough for Joe Girardi to get out the hook with an off-day coming on Thursday. The Yankee end-game got some nice warmup work for this weekend’s Red Sox series. Boone Logan got the last two outs of the sixth, striking out Jose Molina, whose one offensive skill is hitting lefties, and getting lefty Lyle Overbay to ground out. Joba Chamberlain worked around a ground ball single up the middle in the seventh. David Robertson recovered from a leadoff walk to Bautista by retiring the next three batters in the eighth, striking out Lind and Molina to end the frame. Then Mariano Rivera got some work in, hitting Encarnacion with a pitch but otherwise working a flawless inning to seal the win.

The Red Sox and Rays both lost, so the Yankees pulled back into a first-place tie in the East with the win and now lead Boston by 6.5 games. Both play again tomorrow, but the worst case scenario entering the weekend’s wrap-around four-game set against the Bosox would be a half-game deficit in the division and a comfy six-game lead on the visiting Crimson Hosers.

All in all, a good day for the home nine.

Six-Hundred

My full game recap will be up later this evening, but by now you surely know that Alex Rodriguez finally hit his 600th home run in the bottom of the first inning, a two run shot driving home Derek Jeter and giving the Yankees an early 2-0 lead. SI.com has a full slate of Rodriguez pieces in connection with the milestone, including articles by Joe Posnanski, Joe Sheehan, Ben Reiter, and Joe Lemire, two photo galleries, a trio of video essays, a vintage piece from 1996, a timeline, and this by-the-numbers breakdown by yours truly. That should keep you busy during prime time. Back with the recap during late night . . .

Something/Anything

Well, this series has been absolutely no fun at all. A.J. Burnett stinks up the joint on Monday, Rickey Romero is untouchable on Tuesday, the Jays score eight runs in each of the first two games, and here we are on Wednesday afternoon begging for a face-saving win in advance of a visit from the Red Sox while looking up at the Rays in the standings for the first time since June 19. Oy.

It don’t get any easier today, folks. Shaun Marcum is 10-4 with a 3.24 ERA and a 3.82 K/BB on the season, the best numbers of the 28-year-old righty’s brief, injury-interrupted career. He’s given up more than two runs in just one of his last seven starts (5-1, 2.95 ERA) and takes the mound this afternoon coming off a dominant outing against the Indians (7 IP, 3 H, 1 R, 0 BB, 10 K).

Phil Hughes opposes Marcum on regular rest, which is good. In his last two starts on regular rest, he has allowed just three runs each time out, albeit without getting past the sixth inning.

The prime-time lineup is out there for this matinee with Fat Elvis batting seventh.

C’mon, boys, give us something . . . anything.

Million Dollar Movie: The Devil and "Deep Blue Sea"

Come on, what else could I write about during Shark Week?

Deep Blue Sea opens with an homage to and ripoff of Jaws, as do roughly 90% of all movies about dangerous aquatic creatures. Which is fitting, since Jaws impressed and traumatized me at a very young age and gave me a so far life-long fascination with sharks. I used to check over my shoulder in the deep end of swimming pools, looking for fins; I still to this day scan the horizon only semi-ironically if I’m in the ocean above my thighs. The idea of huge monsters in the murk coming at your vulnerable body from below… it still gets to me more than just about any other horror trope.

That’s one reason I started watching Deep Blue Sea when I came across it on TV for the first but certainly not last time, a decade ago. Another reason, I’m only slightly embarrassed to admit, is the early scene featuring Thomas Jane is a bathing suit:

Hello, ladies.

Deep Blue Sea’s set-up is pretty simple: rich and famous executive Samuel L. Jackson is threatening to shut down the research of driven scientist Dr. Susan McCallister (Saffron Burrows… what? Her hair’s pulled back and everything!), so she flies him out to her floating lab to demonstrate how close she is to curing Alzheimer’s using protein from shark brains. (Indeed, the film’s conceit that a drop of shark brain fluid applied to dead human brain cells will cause them to completely regenerate and spark to life in 6.5 seconds is perhaps its most ridiculous moment of all, which is really saying something in a movie where LL Cool J kills a genius shark with an oven to avenge his dead pet parrot.)

At the lab, far out at sea, we meet the weekend skeleton crew: neurotic engineer Michael Rappaport, dour researcher Stellan Skarsgård, pixie-ish researcher Jacquelyn McKenzie, comic-relief cook LL Cool J, spunky control tower operator Aida “Janice Soprano” Turturro, and macho shark-wranger and ex-con Thomas Jane. Naturally, a huge storm arrives, just as Dr. Saffron Burrows’ rushed research is coming to a head – and as the experimented-upon sharks are acting less and less like fish, and more and more like evil masterminds.

Well, wouldn’t you know it, the sharks’ brains have been genetically engineered to many times their natural size, which made them smarter, “as a side effect.” When the storm hits, they turn the tables on the lab staff in a hurry. Their first assault gruesomely takes out Stellan Skarsgård and causes a huge helicopter crash (take that, Megashark!) that severely damages and floods the lab, kills Janice Soprano, and sets the brilliant demon-fish free to stalk the significantly less brilliant human characters.

The following scene (SPOILER ALEEEEEEEEEERT!) is by far the best in the movie, and almost single-handedly elevates it from so-bad-it’s-good empty calories to something a bit more. This Samuel L. Jackson speech, and its abrupt end, genuinely startled me more than a movie had in a very long time, and in a fun, wry, knowing way.

Obviously Deep Blue Sea is hardly the first movie to kill off what the audience thought was the main character much earlier than expected – see Psycho for the most dramatic example, decades earlier. But Deep Blue Sea gives you no previous hints that it’s going to be that kind of movie. Everything has gone according to the rulebook, and suddenly the rulebook is set on fire. And to do it in the middle of a big, dramatic speech about togetherness and cooperation – that’s just awesome. Sure, working together to overcome obstacles is great and all, but massive, vicious genetically engineered predators with rows of razor-sharp teeth will trump any amount of community spirit.

Dr. Saffron Burrows takes most of the movie’s blame for causing all the trouble by pushing nature (and pissed-off mutant sharks) way too far in her single-minded pursuit of an Alzheimer’s cure. “What in God’s creation…” wonders Samuel L. Jackson. “Not His,” says Stellan Skarsgård, “Ours.” He is, naturally, the first to die, though really it’s as much because he’s a smoker as because of his blasphemy.

This is what happens when you smoke, kids.

So the movie (like so many before it) posits that the Doc brought this misery on herself and her friends because she played God, but I tend to disagree. I think if you can really find a cure for degenerative brain illness, and the price of that is a few terrifying evil mutant sharks, you damn well go for it; the unforgivable mistake of the Deep Blue Sea crew was, rather, surrounding huge unnatural killing machines with freaking mesh wire fences. (Jurassic Park teaches the same flawed lesson about human hubris. I mean, go ahead and mess with nature – just don’t keep your only backup generator on the other side of the goddamn Velociraptor habitat! Common sense, people).

Deep Blue Sea was directed by Renny Harlin, whose spotty record includes the mega-flop Cutthroat Island as well as the minorly entertaining hits Die Hard 2 and the Long Kiss Goodnight. No one would really confuse him with an auteur, but he knows how to direct action and he keeps things taut. Meanwhile, the screenwriters are no one of any distinction. But somehow the movie has a spark of life and ingenuity and just sheer joy in its own stupid premise that elevates it above most similar summer junk.

For example, I have to give the film full credit for its handling of the obligatory leading-lady-in-her-underwear sequence, which often, in these movies, comes with only the flimsiest of pretexts. Here Saffron Burrows, having gone back to her quarters in a staggeringly stupid fit of determination to save her research, is attacked by a shark in neck-high water, stands on a desk, and takes off her wet suit to reveal her bra and panties… then stands on said wetsuit for insulation and fries the shark with a loose electric cable. I just can’t argue with that reasoning.

Fair play.

In the end, this movie is both saved and cursed by its self-consciousness. That’s what allows the writers to play with the rules of the genre so effectively at times, but it also stops the film from ever being particularly affecting – it never really lets you forget that you’re watching a movie, and a silly one. And so as entertaining as it is, Deep Blue Sea is never all that scary, or sad, or uplifting. It will not distract you from your popcorn.

Just as the movie opened in Jaws’ shadow, it closes there too – with a huge shark exploding in a fountain of blood and flesh, and two exhausted survivors (though not, I have to admit, the two I initially expected). Deep Blue Sea isn’t one fourth of the movie that Jaws is. But it connects to that same primal fear… and then adds hot people in wetsuits, and all manner of explosions, and ludicrous scientific jargon, and an original LL Cool J track. And I have now watched it at least four times.

Beat of the Day

Short schedule here at the Banter this morning with an afternoon game on the schedule. Man, I’m still cranky about the past few days. Two hits last night? Got to be kidding me, man.

Feelin’ just ornery enough for some Cube–what up Loc?:

Lights Out

For a month and a half the Yankees sat atop the American League East, and even though their lead never looked insurmountable, I admit that I’m a bit surprised that they suddenly find themselves in second place after Tuesday night’s loss to the free-swinging Toronto Blue Jays.

It all started well enough.  Dustin Moseley (much more on him later) set down the Jays in the top of the first on six pitches, bringing the home side to bat.  Derek Jeter led off with a walk, Nick Swisher was retired on a blistering line drive to short, and Mark “How Ya Like Me Now” Teixeira launched a large home run into the back bleacher section in left field.  Sure, Agent 599 struck out and Robinson Canó grounded out to end the inning, but it really felt like a good night.  Really.

What happened next was that Toronto starter Ricky Romero turned out the lights.  He set down the side in order in the second, third, and fourth innings, then had his string snapped by a Marcus Thames infield single to lead off the fifth.  Hope!  But Romero responded to this blip by blitzing through the next fifteen Yankee batters to wrap up a dominant complete game victory.  To sum up, here’s how the Yankee hitters did against Romero:

Jeter walk.  Out.  Teixeira home run.  Eleven outs.  Thames single.  Fifteen outs.  Drive home safely.

So Ricky Romero was clearly the story of the game, but I’ll leave that for someone else to write.  What you won’t find in the box score is that Dustin Moseley pitched a great game.  Seriously.  The Blue Jay hitters were aggressive all evening, swinging early and often at Moseley’s assortment of fastballs, cutters, and curves, and if a few things had gone differently, well, Moseley still would’ve lost, but it might’ve been closer.

The Jays scored two runs in the second inning on a double and a single, but Moseley still seemed to be in control as he cruised through the third, using just thirty pitches to record nine outs.  The game turned in the top of the fourth.  A lead-off single by Vernon Wells was almost immediately erased by a 5-4-3 double play, complete with an unconventional underhanded flip from third to second as Agent 599 relived his days as a shortstop.  But before he could relax (or perhaps because he relaxed), Moseley plunked Aaron Hill and gave up a double to John Buck — and then an interesting thing happened.  Newcomer Austin Kearns did a decent job of tracking down Buck’s double in the left field corner and got the ball in to Jeter quickly enough that Hill should’ve been out easily at the plate.  I’ve never seen another shortstop better at handling relay throws, and two plays are etched in my memory as evidence: Jeter jumping towards the third base line to snag an errant throw from David Justice, then somehow contorting his body into position to throw out Timo Pérez at the plate to end the sixth inning in Game 1 of the 2000 World Series; leaping high to grab a sailing throw from Bernie Williams, then beginning his throwing motion before hitting the ground and firing a strike to third base to nail Danny Bautista trying to stretch a double into a triple in the sixth inning of Game 7 of the 2001 World Series.

This play on Tuesday night was a walk in the park compared to those two plays, and Jeter almost seemed surprised that Hill was trying to score.  He double pumped, then pulled his throw about six feet wide of the plate.  What should’ve been the third out of the inning turned into the second Toronto run, and the game was tied at two — but not for long.  Travis Snider reached across the plate to lunge at the first pitch he saw and still managed to pull a lazy fly ball towards right center.  It drifted lazily into the visitors’ bullpen as Moseley stood on the mound with arms outstretched and palms turned upwards in the universal symbol of disbelief.

To his credit, Moseley recovered nicely over the next few innings and became the first Yankee starter to record an out in the eighth inning of a game since July 8th.  His team was down 5-2 as he walked off the mound, but neither that fact nor Moseley’s stat line in the morning paper tell the true story.  He deserved better.  After Moseley left the scene the Jays tacked on three more runs courtesy of one home run each off of Kerry Wood and Sergio Mitre.  Final score: Blue Jays 8, Yankees 2.  (And by the way, what if I had told you back in April that José Bautista would have more than twice as many home runs as our Agent 599 on August 4th?)

So if the Yankees are to avoid a sweep, Phil Hughes will have to find a way to keep the ball in the park on Wednesday afternoon. Sweet Baby Jesus.

Hit the Bricks, Pal, and Beat It

Let’s hope this ain’t no real skid here, and just an old-fashioned two-game losing streak. Either way, the Boss would not be pleased…

Time for the Yanks answer last night’s ass-whuppin’ with one of their own.

Never mind the formalities: Let’s Go Yan-Kees!

(I was fool enough to call Alex Rodriguez’s 600th last week so what do I know; don’t know if he’ll get it tonight but it says here the Big Puma will have a big game.)

[Drawing by Larry Roibal]

Check It Out

I have a couple of pieces up on SI.com today. The first is my Rookie of the Year Awards Watch. It was a frustrating column to write this week because of the glut of strong rookies in the National League and lack thereof in the American League, though I squeezed in a lot of NL honorable mentions in the introduction. [Update: I initially had an old column linked. The link is now fixed to this week’s Awards Watch.]

The second is my look at the top waiver-trade pickups of the Wild Card era. No Yankees make my top 5, though the botched Pat Listach trade in 1996 yielded Graeme Lloyd, who after struggling mightily down the stretch, got some huge outs in the postseason as the Yankees won their first championship under Joe Torre. Other notable Yankee waiver trades were the returns of Mike Stanley in 1997 and Luis Sojo in 2000, and the dumping of Mariano Duncan and addition of Rey Sanchez as a second-base solution in ’97. Meanwhile, Sterling Hitchcock went 5-1 with a 3.78 ERA for the Cardinals after the Yankees traded him to St. Louis in August 2003.

Elsewhere, the latest edition of Kevin Goldstein’s Future Shock at Baseball Prospectus kicks off with good words on a pair of red-hot Yankee prospects:

Dellin Betances, RHP, Yankees(High-A Tampa): 6 IP, 1 H, 0 R, 1 BB, 11 K

Of Betances 11 starts this year, eight of them could arguably be described as dominant, with none more so than last night’s when Betances retired the last 14 batters he faced, nine via the strikeout.  With a fastball that is all the way back (94-98 mph) and control that we’ve never seen before, the 22-year-old has whiffed 68 over 57 innings while allowing just 31 hits and walking 15.  Only an ugly ttrack record when it comes to staying healthy prevents him from being labeled with an elite tag.

Brandon Laird, 3B, Yankees(Triple-A Scranton/Wilkes-Barre): 4-for-4, 2 HR (2), 3 R, 2 RBI

It’s been a darn good year overall for the Yankee farm system, and one of the brightest points of light has been Laird, who entered the year as a nice little hitter with some upside, and is now considered one of the better offensive prospects in the system.  After batting .291/.355/.523 in the Eastern League, you couldn’t have asked for a better Triple-A debut, but much like Jesus Montero, it’s hard to figure out where his big league future lies if he remains a Yankee.

Taster's Cherce

Sorry I forgot to pass this along when it came out. The Times’ review of David Chang’s new midtown spot:

It is a strange feeling, sitting in Má Pêche on a Friday night, well underneath Midtown in the basement of the Chambers Hotel, Modest Mouse playing at half volume on the stereo system as people drink wine and talk and stab at sticky pork ribs with chopsticks. The seats at the restaurant have backs to them. They are comfortable. There is plenty of space.

There is nothing like this at the other restaurants in David Chang’s four-restaurant Momofuku confederation — of which Má Pêche is the newest, the largest and the first not located in the East Village. There is no extra space in the other Momofuku restaurants at all, no real creature comforts beyond the food and the service. There are just counters, nooks, sharp corners and little chance for intimate conversation, even at Momofuku Ko, which flies the standard of excellence for them all. (There, you just stare at the chefs and wait for the magic.)

Got to be a worth a try, no?

[Photo Credit: Oyster Locals]

Beat of the Day

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"This ain't football. We do this every day."
--Earl Weaver