"A New York Treasure" --Village Voice

Monthly Archives: June 2011

Older posts            Newer posts

The Wrong Foot

If there’s one thing that’s bothered me about the Yankees this year it’s that they don’t seem to play well in series openers. After tonight’s loss to the Red Sox, they’re only 9-12 in the first game of a series. (For the record, their record in those first 11 series that they started with a loss is 5-3-3.) I think the emphasis on winning three-game series during the regular season, a relatively recent idea, is a bit overblown, but I still find myself falling in to the trap and thinking, “Alright, now they have to win the last two” when they really don’t. Well, they have to win these next two against the Sox.

This game turned sour in the first inning and didn’t get much better later on. The Red Sox bats made it clear from the jump that Yankee starter Freddy García didn’t have anything. Jacoby Ellsbury opened with a long home run to right, Dustin Pedroia drew a walk, Adrian González rocketed a triple over Curtis Granderson’s head, and Kevin Youkilis his a sacrifice fly to the track in right, giving Boston a 3-0 lead. García’s troubles would continue in the second as he gave up a walk and a single before serving up some batting practice slop to Pedroia who thanked him for the charity by hitting a laser down the line in right to score both base runners. Joe Girardi smartly pulled García, but the damage was done.

The Yankees had a chance to answer Boston’s early outburst in their bottom half of the first against a less-than-sharp Jon Lester, but they squandered the opportunity. With Granderson already on first, Lester let a fastball run in to Mark Teixeira. As Teixeira began to stride into the pitch, putting all of his wait on his back right leg, the ball continued to dart inward and struck him on the right knee. By the time I watched the replay I already knew that the x-rays had come back negative, so I wasn’t nearly as worried as everyone who was watching live. Teixeira immediately crumpled into a heap at the plate, rolling around in obvious agony and cursing loud enough to be heard on the NESN field mike. I’m guessing that everyone — Teixeira included — thought he had shattered his knee cap. Thankfully it was only a bruise, but I wouldn’t expect to see him for at least a few days.

Anyway, that put runners on first and second for Alex Rodríguez, who beat a potential double-play grounder to create a first and third situation for Robinson Canó. Canó drove in the run with a single to center, and when Lester hit another batter (Russell Martin) with another fastball that ran in, Nick Swisher came up with a chance to tie the game. Swisher made Lester work, but eventually grounded out to third to end the threat.

The game settled down a bit after this, thanks partially to more strong work from the Yankee bullpen. Luís Ayala got four outs in relief of García, and then Girardi turned to the intriguing young Hector Noesi, who, for the most part, had another successful outing. He pitched the final six innings of the game, giving up just two runs on three hits and a walk while striking out one. The two runs he yielded were important at the time (stretching the Sox lead to 6-1) and could resonate through the final two games of the series. With González on first, David Ortíz came up and hit a no-doubter into the seats in right, then took a moment to soak it all in. He looked immediately across home plate into the Boston dugout on the third base side of the field, flipped the bat with disdain, and then executed a perfect pirouette as he finally left the batter’s box and began his circuit of the bases. I was surprised, because I don’t really remember Big Papi rubbing the salt like that, and Girardi didn’t like it either. “Yeah, I didn’t really care for it. I’ve never had a problem with David Ortíz… My reaction’s probably more protecting our young kid. And that’s what I’m going to do.” Papi’s response? “That’s Papi style.” I wouldn’t be surprised — or disappointed — to see Big Papi get a little A.J. Burnett style in the ribs tomorrow, maybe in the first inning.

One last note on Noesi. After the Ortíz homer Noesi retired the next thirteen batters before giving up a double to Ellsbury who was thrown at third trying to stretch. I think he’s done enough in the pen (15.1 IP, 1.76 ERA, 1.04 WHIP) to earn a start some time soon.

The rest of the game was rather uneventful. Swisher knocked in a couple runs in the fifth with a double, and, as he usually does in New York, Jonathan Papelbon made things interesting in the ninth, giving up a walk and a single to cut the lead to 6-4, and A-Rod even came to the plate with a chance to tie the game. But when he waved half-heartedly at a 97-MPH fastball that was riding up and away out of the strike zone, the game was over. Red Sox 6, Yankees 4.

A couple more things. Derek Jeter had two hits on the night, meaning he’s twelve hits away with nine games left in the home stand. Fingers crossed.

And if you think you’ve seen Alex Rodríguez strike out before to end a game, it’s because you have. The folks at ESPN, always happy to bring us good news, report that A-Rod has done that thirteen times as a Yankee, tied with Posada for most on the team during that time.

Tomorrow, though, is another day.

[Photo Credit: Al Bello/Getty Images]

Yanks Sox III: Battle of the War of the Hype of the…zzzzzzz

More Yankee-Red Sox nonsense, three games at the Stadium starting tonight. Cliff has the preview.

Freddy vs Lester…

Derek Jeter DH
Curtis Granderson CF
Mark Teixeira 1B
Alex Rodriguez 3B
Robinson Cano 2B
Russell Martin C
Nick Swisher RF
Andruw Jones LF
Eduardo Nunez SS

I’ve got nuthin’ to add except the usual:

Let’s Go Yank-ees!

Taster's Cherce

Now a melon is something I want to like more than I actually do. I used to dislike them but I can’t say that is true anymore. And yeah, have had it with cured ham and that’s a winning combination. But I never crave a melon. Watermelon, sure, but a regular old melon? Nah. It’s just…”eh,” for me.

That said, this picture makes me want to like ’em.

Afternoon Art

[Flix by Bore]

Third Man Out

Over at ESPN, there is a terrific profile of Chris Bosh by Elizabeth Merrilll:

He has always moved to a different beat, a cross between easy listening and hard-thumping rap. He plays with a hint of vulnerability and fear. He says things James and Wade wouldn’t say. Like when he was humbled in a second-round loss last month in Boston. Bosh told reporters that nerves played a part in one of his worst games of the season.

“When you talk to LeBron or Dwyane, you feel like you’re talking to a basketball player,” Miami Herald columnist Greg Cote said. “When you talk to Chris Bosh, you get the feeling you’re talking to a pretty interesting guy who just happens to play basketball. He admits things you don’t often hear major athletes admit. He’ll tell you that sometimes he feels anxiety in late games.

“He almost reminds me, in a way, of Ricky Williams with the Dolphins. He just has that sensitive side to him that’s interesting to explore.”

I’m not rooting for the Heat but I like Bosh. Again, great job by Merrill.

And that’s word to:

Me, Myself and I

George Kimball has a fine profile of Pete Hamill and Hamill’s new novel, “Tabloid City” in the Irish Times. This part spoke to me:

Introducing Hamill at a symposium celebrating the publication of Tabloid City a few weeks ago, fellow writer Adam Gopnik alluded to Tabloid City’s “recurrent theme of loneliness”, but he was quickly corrected by Hamill. While most of the novel’s characters do fly solo, some do so by choice.

“I would draw the distinction between loneliness and solitude,” says Hamill. “Many of us, particularly writers and artists, cherish our solitude.” He and Fukiko maintain separate working quarters in their Tribeca loft.

“Many people adjust to being alone by embracing solitude, rather than surrendering to loneliness, and there’s something almost ennobling about that. With a good book in the house, you’re never alone. But since being alone – at least in my opinion – can be most difficult at night, some people fill their nights with work.”

I used to be uncomfortable being alone. Maybe it is because I’m a twin, I don’t know. But I associated being alone with being lonely. Now, I see that solitude is not necessarily depressing or isolating at all. And that is a great relief.

[Photo Credit:  David Senechal Polydactyle]

Beat of the Day

One, two, you don’t stop…

Bronx Banter Book Review: The ESPN Book

The much ballyhooed ESPN Book, “Those Guys Have All The Fun: Inside the World of ESPN” has been out for two weeks, and to no surprise, landed atop the New York Times Bestseller list for nonfiction. The writers, James Andrew Miller and Tom Shales, spent the better part of two years interviewing dozens of current and former ESPN employees. The access they received and the candor they elicited from their interview subjects was unprecedented. In doing so, Miller and Shales trace the company’s history from its roots as an idea by Bill Rasmussen and his son Scott, mentioned on a drive from Connecticut to the Jersey Shore in the summer of 1978, to the monolith it has become.

Miller and Shales, who also wrote the oral account of Saturday Night Live, have structured this tome in a similar fashion to the SNL retrospective. The interviews and the quotes drive the narrative. Any reporting and interjections outside the context of quoted material appears in italics and helps to establish the next batch of interviews. The reported inserts serve a similar purpose Steinbeck’s interclary chapters in “The Grapes of Wrath.” The only difference — beyond the obvious that “The Grapes of Wrath” is fiction and the ESPN Book is nonfiction — is that unlike the interclary chapters, which are third-person omniscient accounts of similar situations that foreshadow what will happen to the Joads, Miller and Shales’ reporting does not pull the reader away from their interview subjects and personalities framing the storyline. This style made for a quick read. I wore out the touch screen on my iPad (via the Kindle app), ripping through the book in four days.

The blogosphere naturally pounced on the salacious accounts in the book, specifically descriptions of co-workers having sex in stairwells and utility closets, the raucousness of the holiday parties, the history of sexual harassment, and incidents of lewd conduct involving Gary Miller (arrested for allegedly urinating on a police officer in Cleveland) and Dana Jacobson (drinking vodka straight from the bottle at the “Mike and Mike” roast and making fun of Notre Dame’s Touchdown Jesus). But the book, as an oral history, is about much more than that.

If you think you will read this book and get a repeat of “The Big Show,” or get behind the scenes of SportsCenter, you’ll be disappointed. Yes, there is plenty of time spent on Keith Olbermann and Dan Patrick, what they did to elevate SportsCenter, and what the show has become since their respective departures. But this book is all about ESPN as a business venture, and how the people involved created a business model, a brand, cultivated a workplace culture, and framed how we as fans consume live sporting events and get our sports news. It’s about the leadership of Chet Simmons, then Roger Werner, then Steve Bornstein, George Bodenheimer, and the joint efforts of John Walsh, Mark Shapiro, and John Skipper.

The highlights are the details of the beginnings of the relationship when Getty Oil owned the company; how George Bodenheimer, the current CEO, rose to his position from being a driver when the company started. It was his idea of a dual revenue stream (cable companies paying them a share for subscriptions, plus advertising), that laid the foundation for the cash machine ESPN is today; the influence of Don Ohlmeyer, who has made more money from the company than any individual; and the inner workings of the last round of NFL negotiations, which brought Monday Night Football off of ABC and over to ESPN, and took the Sunday Night package to NBC. Charley Steiner, Bob Ley, Robin Roberts, George Grande, Gayle Gardner, Linda Cohn, John Saunders, and Jeremy Schaap all present themselves as the professionals they are. Chris Berman is, well, Chris Berman.

Among the lowlights are the rampant misspellings. Now, having contributed to, and co-edited books, I know this happens. I have a glaring typo in the first paragraph of my essay in the Baseball Prospectus 2007 annual that to this day kills me. Jim Miller even said on his appearance on Bill Simmons’ podcast last week that he was upset at the number of times he misspelled Jim Nantz’s name. (It appears about five or six times as “Nance”.) Beyond that, Stan Verrett, who anchors the late SportsCenter from LA, had his name misspelled. So did a few athletes, including former Denver Broncos defensive lineman Trevor Pryce. (It was spelled “Price”.) Also, not enough time was spent on ESPN.com’s effect on the Internet and how other sports websites do their daily bidding. Dozens of pages are devoted to ESPN Magazine—its creation, editorial philosophy, etc. ESPN.com’s little nook reveal that Steve Bornstein, who at the time was running the company, had one of the first-ever aol addresses, the purchases of Infoseek and Starwave helped build the infrastructure for the website, Bill Simmons hates being edited and Rick Reilly was not, in fact, traded for Dan Patrick. Too much time is spent on the Erin Andrews peephole incident, and nothing of the reaction she received when she went on Dancing with the Stars, wearing outfits that lead dudes to creep and peep in the first place. Too much time is also spent on Rush Limbaugh, and the three-man booth of Monday Night Football that involved Tony Kornheiser, Mike Tirico and first, Joe Theismann, then Ron Jaworski, and now Kornheiser’s replacement, Jon Gruden. Bottom line, with MNF the games sucked. At least they mentioned that trying to make chicken salad out of you-know-what was impossible given their schedule. Way too much time is spent on the ESPYs.

There are elements to the book for me that are personal. I interned on “Up Close” in 1999 when Gary Miller hosted the show, and my first job after graduating college was at ABC Sports as an assistant editor for their college football web operation. With those experiences etched in my brain, I had more than a passing interest in the book. It was odd to read direct quotes from people I know and worked with for a time in both instances. To learn that ESPN had planned to dissolve ABC Sports going back to the days when CapCities owned them both — as early as 1993 — was alarming. To learn that it was an inevitability following the Disney purchase, and as early as Super Bowl XXXIII, saddened me. I knew the plan and saw it happen beginning in the Summer of 2001. I saw industry veterans agonize over taking a buyout or fighting for their jobs. I saw my own boss decide which members of our eight-person team were going to stay and which were going to go in order to meet his headcount requirement. Had I known all this was in the offing when I interviewed for my job there, my entire career path may have been altered.

Similarly, the accounts from ABC folks, or ESPN people who were assigned to ABC, detailing how they were viewed as second-class citizens by the powers that be in Bristol stung a similar way. I remember in November 2001 interviewing for a beat position at ESPN.com. I had a feeling going into the interview that based on my experience at the time, I was a longshot, but I wanted the chance to interview with the editor-in-chief of ESPN.com — at the time, this was Neal Scarbrough, who ran ESPN the Magazine and has since had stops at AOL Sports, Wasserman Media and Comcast — and believed I had forged strong relationships with my Bristol-based colleagues to where I at least merited a look. As good as my interview was, and as much as I do believe they liked me, it wasn’t to be. Despite my being single at the time and willing to move to Bristol, I had the three letters attached to my resume that basically ruled me out. There were no other openings in Bristol, despite several months of inquiry. In February of ’02, I started at YES, where a host of other ABC refugees, including my former boss, landed.

Reading this book, I determined there is a wide subset of people who it is written for: ESPN employees and alumni, industry types, bloggers, media members, people interested in public relations and sports business, and sports video production. The diehard sports fan or casual viewer of ESPN likely will not care about 70 percent of the book’s content.

Keep that in mind if you’re thinking of spending $15 on it.

Woof

The Elements of Style

Jack Mann was a great newspaper man: editor, reporter, and columnist.

Over at the National Sports Journalism Center, Dave Kindred has a wonderful piece on Mann:

Mann made his reputation through the tumult of the 1960s. First as Newsday’s sports editor, then writing for Sports Illustrated, he encouraged and reveled in reporting that disturbed the peace. “Chipmunks,” he wrote, appropriating the term of disdain coined by co-opted hacks, “are the New Breed … their outstanding characteristics being irreverence and curiosity.”

He made words dance. He once assigned reporters to interview track fans who carried their own stopwatches so he could write the headline: “These Are the Souls Who Time Men’s Tries.” By the end, his resume came with stops in New York, Long Island, Miami, Washington, Baltimore, and Annapolis, perhaps because in his fierce integrity he suffered fools not at all. “Most chicken newspapers,” he once wrote, “which is most newspapers….”

When he was at Newsday (1960-62) Mann sent a style sheet to his staff. It was known as “the yellow pages” because he typed his memos on legal pad paper. I recently came across a copy and so in the interest of honoring history and the elements of style, I now share it with you:

[Photo Credit: Shaefer]

Dante is a Scrub

And I ain’t getting my haircut, neither.


No, not that Dante…The Yanks picked Dante Bichette Jr. in the amateur draft yesterday. And I’ve no idea if he’s a scrub or not, no matter how much I disliked watching his old man’s theatrics back when. Here’s the early returns from Rivera Ave and The Yankee Analysts.

New York Minute

Now this lady knows how to roll with style. The red flag is the icing on the gravy.

From Ali to Xena: 7

You Can Run…

By John Schulian

I went to graduate school in journalism at Northwestern, and the best thing about it was that it kept me out of the Army’s clutches for one more year. Other than that, I didn’t care much for the experience. I’d spent the summer before I went there playing ball and blacktopping roads, so I had a pretty good tan. No sooner had I started hunting for an apartment than some guy asked where I’d “summered.” “On the end of an idiot stick,” I told him. When the guy didn’t realize I was talking about a shovel, I knew I was in the wrong place. Nothing against Northwestern–it’s a great school and having a master’s from there definitely helped me get a job in Baltimore when I finished my two-year hitch in the Army. But Northwestern is also a haven for children of privilege, and I’m allergic to them. Always have been, always will be.

It was like I was watching a movie as one big car after another delivered a succession of beautiful coeds to campus, mothers and fathers bidding adieu to their little darlings. It didn’t take me long to realize that I had nothing in common with about 90 percent of my fellow grad students. Some were horse’s asses like a guy from Brown who wore a suit but no socks with his penny loafers. Some were budding drones who knew lots about government but couldn’t write a letter home. Some were lost causes like the guy who decided he’d rather join the Air Force. And then there was the professor who yelled at me for showing up early for a meeting. He was the biggest horse’s ass of all. But if he or anyone else on the faculty had taught anything I was interested in, I would have made myself pay attention. Unfortunately, the faculty in 1967-68 was fixated on covering courts and government and water and sewers, and I wanted to write about flesh-and-blood people, the more colorful the better. I got my best lesson in that when Jimmy Breslin blew into town to cover a Mafia trial for the Sun-Times. He wrote a piece about getting a tip on a racehorse from one of the defendants, Paul (The Waiter) Ricca, and the judge declared a mistrial. Now that was what I had in mind when I went to Northwestern.

Ultimately, I wound up spending almost all of spring quarter in the bleachers at Wrigley Field. I think it’s safe to say I had the best tan in grad school. I got my master’s, too. And 30 days after I returned home, the draft board reclassified me 1A. And 30 days after that, I reported to the Army induction center. My heart may have been God’s, but for the next two years, my ass belonged to Uncle Sam.

Hell, yes, I was afraid of going overseas, because overseas in those days usually meant Vietnam, and even though the women and the country were beautiful, it was no vacation for American troops. Most of them were REMFs (Rear Echelon Motherfuckers), but there were enough bombs going off in Saigon to kill you just as dead as you could get killed humping through the jungle.

I’m getting ahead of myself, though. Let’s go back to the beginning of this particular chapter of my life. I wasn’t the least bit political when I was an undergrad from 1963 to 1967. Nor do I remember seeing that many kids at Utah sporting peace signs or even long hair. I know I didn’t have long hair; I leaned toward the short look favored by Peter Gunn, the TV detective. What can I tell you, I was just a kid in Bass Weejuns, khakis or Levi’s, and a button-down collar shirt. If there had been an anti-war rally to go to in Salt Lake, I would have looked completely out of place. Not that I had my head in the sand about Vietnam. I read Jonathan Schell’s “The Village of Ben Suc,” which gave me a good idea of how screwed up things were in Vietnam. But the Salt Lake papers were running wire service stories from the war, and they leaned on body counts and bombing runs, not trenchant analysis. Time magazine, which I read regularly, was foursquare behind the war, to the point that its New York editors were replacing the truth its correspondents found in Vietnam with lies and propaganda. David Halberstam of the New York Times was one of the few brave reporters on the scene who refused to buy the military’s bullshit, but I didn’t read the Times then. And the news about anti-war demonstrations elsewhere in the country seemed so far away. Sometimes everything seems far away when you’re in Utah.

 

David Halberstam, far left

I don’t know many guys from Salt Lake who wound up serving in Vietnam. One who did was a wonderfully funny guy I played football with; his reserve company got called to active duty, and the next thing he knew, he was building an airstrip and praying that a sniper didn’t draw a bead on him. He made it back in one piece, by the way. There was another kid-–he was two years behind me in high school-–who I heard got shot up pretty badly over there. Among guys my age, there was a stampede to get in the reserves -–Army, Marines, anything to avoid the draft. They were even going up to Idaho if they heard of openings there. If I’d stayed in Salt Lake, I probably would have joined them. But I was off at Northwestern and didn’t really start thinking about what I was going to do until winter quarter. I remember exploring officers candidate school in the Navy, but when they told me I’d have to sign up for four or five years, I said forget about it. I’d take my chances with the draft.

Click here for the full “From Ali to Xena” archives.

Pugilistic Linguistics

George Kimball

Also reviewed in the Times yesterday was “At the Fights: American Writers on Boxing.” I’ve been touting the book all spring. It was edited by two veteran writers I’m fortunate to call friends: George Kimball and John Schulian. I was thrilled that it received nothing short of a rave from Gordon Marino:

More than any other sport, even baseball or golf, boxing calls forth the muse in writers. It’s no surprise. Where there is risk there is drama, and boxers put more at risk than other athletes. In a single evening, they roll the dice with their health, marketability and sense of identity. When you have a bad night in the ring, you can’t make it up in a double header on Sunday, or on another football field in a week’s time. And after the very last bell, there is seldom a diploma to fall back on, and there sure won’t be any pension checks coming in the mail.

It’s a very hard game — maybe even crazy — but as the affection-filled writers who have attached themselves to these warriors know, the masters of the ring possess a unique nobility. That nobility is perfectly framed in this remarkable volume from the Library of America. The essays here capture every angle of this world, both solemn and comic.

…I would bemoan only one omission, namely, the wise, lustrous pages of F. X. Toole’s introduction to his short-story collection, “Rope Burns.” Though “At the Fights” weighs in at 500-plus pages, it doesn’t contain a single flabby contribution. Over and over again, writers and readers have sought to get behind the eyes of a fighter, to fathom the fighter’s heart. This is as close as you can get without catching a hook to the head.

It’s my favorite book that’s come out this year. Perfect for Father’s Day or any other day you want to be graced by a collection of great writing.

[Cartoon by George Price]

Taster's Cherce

Dig this spring loveliness from the indispensable Food 52.

Million Dollar Movie

Check out this cool behind-the-scenes photo gallery

And then peep Scorsese on Kubrick (brought to us by Matt B):

many horror fans were put off by “The Shining,” and I don’t believe that Stephen King, the author of the novel on which it was based, was ever very happy with the movie. Kubrick and his co-writer, the novelist Diane Johnson, kept many elements from King’s novel, but they wrote their own work, turning to Freud’s The Uncanny and Bruno Bettelheim’s book about fairy tales, The Uses of Enchantment, for inspiration. In their film, the horror came from within the family — the violent father (Jack Nicholson) suffering from writer’s block and having a hard time staying on the wagon, the mousy mother (Shelley Duvall) trying to believe that everything is okay for as long as she can and the quiet son (Danny Lloyd) with an extrasensory gift called “shining” that allows him to see terrors past and future. They’re all cooped up in an enormous luxury hotel in Colorado that’s been shut down for the season and where they’ve agreed to stay for the winter as caretakers. The halls and corridors seem to extend to infinity, like the shots of interstellar travel in “2001: A Space Odyssey,” and the sense of space itself is terrifying, particularly in those justifiably famous Steadicam shots following Danny as he careens down the corridors on his Big Wheel.

In “The Shining,” Kubrick made potent use of ambiguity. You never really know what’s happening: Is the father hallucinating or is he the reincarnation of a murderer from an earlier era? Are there real ghosts in the hotel or are they imagined by the traumatized son? Is the son sensing the horrors that will be committed by his father or just projecting them onto him? Few movies create such a powerful feeling of unease.

Is there a Draft in Here?

The draft is tonight and for weeks, the good people at River Avenue Blues and The Yankee Analysts have the topic on lock.

Be sure to check ’em out today to keep up on the latest.

 

New York Minute

Seen in bar window, downtown Manhattan. Nothing like the Yankee logo to bring a smile to my face. I’m sure some of you agree while others…don’t.

Beat of the Day

[Panting by Wayne Thiebaud]

Older posts            Newer posts
feed Share on Facebook Share on Twitter Share via email
"This ain't football. We do this every day."
--Earl Weaver