Monthly Archives: July 2011

Mistrial in the Clemens case.

A cool drink.

Herge

…like the Doc Bruce Banner…

The 2011 midseason classic had more luminaries than the night sky over the Arizona desert. In total, 84 different players were designated as All Stars, but the no shows wound up garnering more attention. In particular, Derek Jeter’s decision to skip the game caused quite a stir. A week earlier, Jeter’s selection was widely criticized as being undeserved, but after the future Hall of Famer joined the 3,000 hit club in grand fashion, it seemed as if the entire country was clamoring for his appearance in Arizona. Apparently, Minka Kelly held greater sway.

Jeter wasn’t the only Yankee to ditch his American League teammates. In fact, of the five selected players who didn’t make the trip to Chase Field, four were Bronx Bombers. Between Jeter, Mariano Rivera, Alex Rodriguez, and C.C. Sabathia, the American League was forced to do without over 276 career wins above replacement, so, when this year’s World Series begins in a National League ballpark, you know who to blame. Those damn Yankees!

If not for the no shows, the Yankees would have almost been able to field their own All Star team in Arizona. Not since the franchise earned nine selections in 1958 did the Yankees have more players honored with an all star invitation, so even with the absences, the Bronx Bombers were still well represented.

Yankees’ All Star Selections by Year

Source: Baseball-reference.com

Since the inaugural All Star Game in 1933, the Yankees have had 121 (71 position players and 50 pitchers) different representatives account for 406 (282 position players and 124 pitchers) total selections, the most of any team. However, the quintessential Yankees’ All Star was Mickey Mantle. Remarkably, the Mick was selected to the play in the midseason classic during every season of his career but the first. In total, Mantle represented the Yankees in an AL record 20 All Star Games. You can just imagine how many he would have liked to skip, especially when you consider he was only on the winning side five times.

Yankees’ All Stars Ranked by Total Selections and Games Started By Postion

Source: Baseball-reference.com

Although Mickey Mantle was the most tenured Yankees’ All Star, his midseason line of .233/.365/.372 suggests he was far from the most prolific. Instead, that distinction belongs to none other than Derek Jeter. In 11 games played encompassing 25 plate appearances, Jeter has batted .435/.458/.608, a level of performance just a notch above fellow Yankee Captain Lou Gehrig. What’s more, the shortstop is the only Yankee to ever be named the All Star MVP (2000). I guess Jeter really could have made a difference had he decided to play in this year’s game?

Top Yankees’ All Star Position Players, Ranked by OPS

Note: Includes all players with at least 20 PAs.
Source: Baseball-reference.com

Among pitchers, Mariano Rivera’s 12 All Star selections are tops in franchise history. In eight appearances, the immortal closer has not surrendered a run while recording a record four All Star Game saves. Lefty Gomez is another Yankees’ all star record holder. Not only are Gomez’ three wins unmatched in All Star history, but his five starts are tied with Don Drysdale for most all time.

On the other end of the spectrum is Whitey Ford. Like his best buddy Mantle, the Chairman of the Board didn’t exactly shine at All Star time. Ford and Mantle were known to have a good time or two when together, so, although their performance in the game wasn’t stellar, you can bet they made up for it during the rest of the break.

Top Yankees’ All Star Pitchers, Ranked by ERA

Note: Includes all pitchers with at least five innings pitched
Source: Baseball-reference.com

Based on past performance, it’s easy to see why so many fans were eager to have Jeter and Rivera make an appearance at Chase Field. Among all their other accomplishments, the future Hall of Famers are also two of most successful All Star performers. Then again, maybe it was time to give someone else a chance to shine? Jeter and Rivera have always been very charitable, so perhaps their absence was a gesture of goodwill? Let’s just hope they aren’t as generous in October.

Ah, now Grantland has something here that really smokes. They are running a “Director’s Cut” series reprinting old pieces of sports writing. First up, is Tony Kornheiser’s profile of Nolan Ryan from the debut issue of Inside Sports.  Kornheiser was a wonderful long-form writer, first at Newsday, then the New York Times, where he covered basketball and wrote, “That Damned Yankees,” which stands as one the finest stories on George Steinbrenner.

For the first year-and-a-half of its run, Inside Sports was terrific. It was run by John Walsh. Tom Boswell was their baseball guy, Pete Axthelm contributed a column. Diane K. Shah was there. Gary Smith got his start as a magazine writer there and once wrote a wonderful basketball story called “Tinkerbell and Sweet Lou.”  Kornheiser did several bonus pieces, including a classic one on Joe Nameth, and the great Pete Dexter also did takeouts for them–on Jim Brown, Randy White, Daryl Dawkins, and the Tooz. Len Shapiro wrote about Bill James, John Schulian about Mark Aguirre and Gary Fencik, George Kimball on George Brett, and Dick Young wrote a fine piece on Duke Snider. Oh, yeah, Leonard Gardner, who wrote perhaps the finest boxing novel of them all, covered Duran Leonard.

Pat Jordan wrote the most celebrated story in the magazine’s history, a profile of Steve and Cyndi Garvey. The Garvey’s sued Inside Sports’ parent company (The Washington Post) and the ordeal put Jordan’s career on hold for more than a year (though he wrote two more pieces for them: a spring training story on the Yankees, and a profile of Steve Dalkowski). The suit, however, kept the magazine going longer than expected, according to Jay Lovinger, one of its editors. The case was eventually settled, the Garveys got divorced, and the Post sold the magazine. It was never the same.

I’m looking forward to this series. It’s a real mitzvah when you consider that the majority of the greatest sports writing is not available on-line.

Over at River Avenue Blues, Ben Kabak picks up on a story by Bob Raissman of the Daily News and furthers a discussion about the Yankees radio rights.

Morning Goof, y’all.

Here’s a must-read for you, from Texas Monthly.  A long profile on Bill Halley by Michael Hall:

There are many reasons why Bill Haley hasn’t gotten the credit he deserves. The main one, at least the one that comes to mind when you first think of the man, is that damn curl, which you can see in every picture ever taken of him. It looked like a gimmick, a symbol of the cheerful good-time music Haley made, songs such as “Rock Around the Clock,” “See You Later, Alligator,” and “Crazy Man Crazy.” This wasn’t the sex-crazed, dangerous music made by those other guys. Elvis was all about sex. Bill was the pudgy guy with the curl. Wearing the plaid dinner jacket.

Yes, Haley was a bit of a square. And I’ve been a fan of his ever since I saw American Graffiti, in 1973, when I was fifteen. “Rock Around the Clock,” the first song in the movie’s first scene, jumped out of the theater speakers: an exuberant 128 seconds of driving guitar and sax riffs, an amazing guitar solo, and Haley’s breathless vocal. It made me feel good; it made me want to move. And if it did that to me, imagine what it did to teens in 1955. Kids—to say nothing of grown-ups—had never heard anything like it before. There’s a before “Rock Around the Clock” and an after “Rock Around the Clock.” The before is Glenn Miller, Perry Como, and Bing Crosby. The after is Elvis, the Beatles, and Lady Gaga.

Like so many people, I wondered, How did Haley go from The Ed Sullivan Show to Sambo’s, from the top of the world to the bottom of Texas, where he would suffer a lonely death in February 1981? No one seems to know much about his last twenty years. Five books have been written about Haley, and the best one, by his son Jack, treats that period in a fourteen-page epilogue. And those last desperate months—what happened?

Remembering Royko 

By John Schulian

I was instantly happy at the Daily News. It was frayed around the cuffs and just about everywhere else, but that was a relief after all the power and glamour at the Washington Post. Just the same, the Daily News had a distinguished history of its own -– Carl Sandburg strumming his guitar in the city room, a distinguished cadre of foreign correspondents, Pulitzer prizes galore, and, of course, Mike Royko. But for the two decades before I got there, it had been searching for an identity. The one thing about it that couldn’t be changed was that it was an afternoon paper, and afternoon papers were the dinosaurs of the newspaper business. Readers were turning to TV instead, and besides, there was never any guarantee that our delivery trucks were going to make their way through the increasingly gnarly traffic. Add it all up and you had Chicago’s version of  the Alamo.

I was at the Daily News for the last 13 months of its existence, and it was probably the most exhilarating time of my career. The paper’s old hands did great work, and most of the newcomers fell right in step with them. When the paper was re-designed, it looked great, too. (The guy who re-designed it had also given the New York Herald Tribune a new look right before it went under, so maybe he was the kiss of death.) I remember Royko saying the paper was the best it had been in all the  years he’d been there, and Mike didn’t throw compliments around lightly. He couldn’t have cared less about peoples’ feelings. But he was truly proud of the Daily News as it battled extinction.

Being on the same paper with Royko was a privilege. Actually, I was on two papers with him: the Daily News and the Sun-Times. The man was a genius as a columnist. It’s not like great cityside columnists fall off trees, either. But Mike worked in an era that had a bumper crop: Jimmy Breslin and Pete Hamill and Pete Dexter. There was Murray Kempton, too -– God, what a beautiful writer — and the marvelously off-the-wall George Frazier in Boston. They called Paul Hemphilll “the Breslin of the South” when he wrote a column in Atlanta, and Emmett Watson was the soul of Seattle. When I look around the country now, the pickings are pretty slim. I consider myself lucky to read Steve Lopez in the L.A. Times — he really works to make sense (and fun) of an unbelievably complicated city. I can’t help thinking that he learned, at least in part, by studying the masters.

It’s a tough call–maybe an impossible call- to say who was the best of those giants from 20 and 30 years ago. They all had days when they stood atop the world. Royko and Breslin defined the cities they worked in for the rest of the country. Hamill wrote with the eye of the novelist and memoirist he became. Dexter was the most unique; he went way beyond the Philadelphia city limits to the borders of his imagination. Of course he didn’t do it anywhere as near as long as the others. Hamill kept taking side trips, too–to screenwriting, novels, editing–but I never lost the sense of him as a committed newspaperman. Still, it was Royko and Breslin who seemed to capture the most imaginations. For pure writing I’d give the nod to Breslin. But for knowing how to work a column, whether he was raising hell with the first Mayor Daley or making you laugh with his alter ego,  Slats Grobnik, or breaking your heart, Royko couldn’t be beat.

And he did it five days a week. Tell that to these limp-dick editors who think a columnist should only write twice a week. Royko didn’t have the privacy of  an office at the Daily News, either. He just moved filing cabinets around until they formed a wall around his corner desk. And he’d be at that desk from morning until late at night.

When he’d send a copy boy to fetch him a cheeseburger from Billy Goat’s Tavern, his instructions were to the point:  “Tell the Goat to hold the hair.”

He’d answer his own phone and tell callers he wasn’t Royko and didn’t understand why anybody wanted to talk to the son of a bitch. Then he’d go off on some wild tangent about Royko’s lack of hygiene until he hung up cackling like a madman.

The time I spent yakking with Royko was always at work. He liked to drink -– man, did he like to drink -– but I stayed away from him then. He was a binge drinker, dry for weeks or months and then he’d go on a toot and turn ugly and abusive. When he was drunk, he was forever getting in a scrap or pouring ketchup on a woman who’d rejected his advances. Legend has it that he once fell out of his car while he was driving and broke his leg. There was a group of ass-kissers who tagged along after him like puppies, encouraging him to be more and more outrageous and saying yes to every nonsensical thing that came out of his mouth. As far as I could tell, the only good man in the bunch was Big Shack, who worked in the Sun-Times’ backshop. He looked out for Mike, and he wasn’t afraid to tell him when enough was enough.

Royko with Studs Terkel

Ultimately, Rupert Murdoch bought the Sun-Times and Mike moved to the Tribune, a paper he had always hated. I like to think he still hated it when he worked there, except, of course, when it gave him a chance to call  Murdoch “The Alien” in print.

Mike was the best.

Click here for the full “From Ali to Xena” archives.

The first half of the Yankee season has been overshadowed by Derek Jeter and his boatload of hits. Rightly so. As much fun as it is to watch the Yanks play well and win 60% of their games, that happens almost every year. Celebrating 3000 is not only appropriate, it’s necessary. For me, anyway. It helps realign my fandom to the primal things that sustain the relationship.

However, apart from Jeter’s heroic game on Saturday, he’s had little to do with the wins and losses thus far. For that, we have to thank a host of usual contributors including CC Sabathia, Mariano Rivera, Alex Rodriguez, Robinson Cano, Curtis Granderson and Mark Teixeira. But their production was banked on from the day Texas ended their 2010 season. The door to such lofty success hinged on Freddy Garcia, Bartolo Colon and Ivan Nova.

And therefore, the first half hinged on Brian Cashman. The moment the Cliff Lee trade  fell through last July, I openly fretted about the 2011 starting rotation. But the rotation did not implode; it thrived. I don’t think Cashman expected anywhere near this level of performance, but he was smart enough to know that there was little difference between what these guys could do and what was available for big money after Cliff Lee chose Philadelphia. I’d still love to have Dan Haren in the rotation, but he now represents a pleasant upgrade rather than a savior.

And though he gets little attention in the press and is often the first to go when things turn sour, I think the pitching coach must have something to do with a success on this scale. Whether it’s creating a comfortable environment where pitchers can harness confidence and learn from mistakes or isolating successful pitches and honing them into weapons, I bet Larry Rothschild has been an asset.

But since their work is mostly behind the scenes, let’s focus on the guys holding the the ball.

Colon’s restructured arm and waves of flesh propel a lively fastball with impeccable accuracy. He’s got the best strikeout-to-walk ratio on the team outside of Mariano Rivera. And when he’s on, he can churn through innings like platters of ribs. Just give him a bib and don’t put your hands near his mouth.

It defies all expectations considering where he was before this season. And looking at him just makes it harder to believe. But watching him throw, all doubt is squashed by the harsh reality of the four-seamer and the horizontal shenanigans of the two-seamer.

Freddy Garcia has a different story. Cashman also found him on the scrap heap, but he doesn’t have the new arm, the big belly, nor the gaudy stats. He’s just kept the ball in the park and the runs off the board. His fastball might make him a number two starter on a high-school team with aspirations, but his change-up and breaking stuff float in at those tricky hitting speeds. Like Mike Mussina in his final year.

While Colon throws his heaters over 80% of the time, Garcia only shows his every fourth pitch or so. The other three are dipping, darting and diving as they inch towards the plate. Perhaps Rothschild deserves credit for refining their pitch selection, but these guys are veterans and I’m sure they can feel what’s working for them.

There are serious doubts about both of these guys as we look ahead. Colon has already had a trip to the DL and doesn’t look like he’s skipping any second breakfasts. Despite Garcia’s trickery, he’s not striking out enough guys to keep that ERA looking so spiffy. But they’ve earned a very long leash in the second half. And should either of them falter badly, well there’s a good young arm in AAA named Ivan Nova.

Ivan Nova looked excellent almost every time he pitched in 2010. But he also looked awful almost every time he pitched in 2010. The second time through the order, he could no longer get anybody out. The first few games of 2011 held the same pattern. But Cashman, Girardi and Rothschild were very patient. Where a pessimist would see disaster waiting to happen, they believed in his stuff and start by start, the results improved.

He resembles Chien-Ming Wang to me, and they have their sinkers and their ERAs in common. There are differences between the two, but like Van Gogh and Gauguin, their work shares the same foundation. They paint with hard sinkers, sometimes touching the mid-90s, grazing bat-barrel-bottoms and inducing grounders. Nova throws a curve often enough to be the stand out difference between the two. He strikes out and walks one more hitter per nine than Wang did, and considering the amount of balls in play, that extra base-runner is probably not a tradeoff that benefits Nova.

Chien-Ming Wang was the Yankee ace for two playoff years. I’m comparing him to the sixth starter on the current squad.

The Yankees are 27-16 in the 43 games started by these three pitchers. That edge has them neck and neck with an excellent Boston squad and securely ahead of the game Rays. And if you tried to tell me this might happen in the winter on an adjacent barstool, I would have laughed in your face or cried in my beer.

Pitch FX data from FanGraphs

Here’s another gallery of vintage New York photography.

This one features the work of Gita Lenz.

Stunning.

Too keep you kool…

[Paintings by Eric Zener, via This, That, Also & Etc.]

Last month, there was a discussion in the comments section here about two of the Yankees’ current African-American stars: Curtis Granderson and C.C. Sabathia. But no mention, if memory serves, of Derek Jeter who is half-black. In an op-ed today in the Daily News, Glenn Stout gets to the heart of the matter:

Jeter is both the game’s first postracial superstar and the Yankees’ first African-American icon, reaching a status that even Mr. October, Reggie Jackson, was unable to achieve.

No, his biracial heritage alone doesn’t make Jeter any better than either black or white superstars to come before him – but the matter-of-fact embrace of his background even before Barack Obama became our first biracial President is culturally significant and should not be a mere footnote as we celebrate his great achievement.

…From the very first day, Jeter seemed totally at home in pinstripes, the Yankees’ next “Everyman.” Coming of age at a time when racial labels don’t mean as much as they once did, he was the child of a black father and white mother. He neither downplayed that fact nor promoted it. It was simply a part of who he was.

Of course, the emergence of Jeter has been nowhere near as racially important as Jackie Robinson’s breaking the color line. That was a cultural earthquake, this a barely detectable tremor. But for those of biracial heritage, Jeter’s quiet success has spoken loudly precisely because of how little it has been remarked upon – by how little news it has made.

It’s something, isn’t it? But true. Race is virtually never discussed when it comes to Jeter. Go figure.

[Painting by Kevin McGoff]

I am not Robo Cop, I’m Chubb Rock.

Let’s go Base-ball!

[Photo Credit: Mighty Flynn]

Derek Jeter will not be at the All-Star Game (and that’s okay).

[Drawings by Larry Roibal]

My man Brad pointed out this wonderful photo gallery of old New York.

Don’t miss it.

Smitten Kitchen gives us sweet cherry pie.

Yes, please.

Tomorrow night, HBO will air an original documentary, “The Curious Case of Curt Flood.” It follows the HBO doc formula but also paints a nuanced portrait of Flood, who was a complicated and troubled man. Stan Hochman thinks the movie is too cynical but I still think it’s worth watching.