Monthly Archives: January 2012

I’ll fake it to ya.

Check this out:

Edible Art.

Rothko Cookies

Mondrian Cake

[Photo Credits: Mimi O Chun and Through My Blue Eyes]

Tom Verducci and Rob Neyer write about how underrated Jorge Posada was during his career.

You want great Sichuan in Manhattan? Peep Legend on 7th Ave between 15th and 16th Street.

I’ve been four times in the past two weeks and can recommend almost everything that I tried. I especially liked:

Sichuan Cucumber

The Green Beans with Ground Pork

Sichuan Spicy Ma Pa Tofu

Dry Spicy, Tasty Diced Chicken with Ginger and Peanut.

Photo Credit: Serious Eats, from their fine slideshow of the place.

For me, this is close to the fantasy of Reggie Jackson returning to play for the Yankees in, oh, say July of 1987. And then stepping in as a pinch hitter in his first game back, a scoreless tie in the bottom of the eighth, and blasting one into the upper deck in right field.

After changing his number from 44 to 42.

For fans, teammates and coach, the reaction was unbridled joy. But for the player himself, I can’t even imagine how it felt. This wasn’t a goal that won a trophy, but as William reminded us recently with Don Mattingly’s game winner from 1985, the best moments in sports often take place outside the narrow pursuit of a championship.

Graham Greene was one of the first novelists that I liked. I think I read three or four of his books before I was twenty. I haven’t revisited him in a long time but he came to mind when I read about a new book by Pico Iyer. Check out this excerpt from The Los Angeles Review of Books:

It’s not of great cosmic interest that Graham Greene seems to be writing my life, even as I’m so proud of making it up myself. Or that he reads me better than many of the friends and family members who see me every day do. But what’s more intriguing is that all of us have these presences inside our heads, who seem somehow to shadow us, and in ways we can’t quite explain. “I can’t listen to Joni Mitchell’s Blue,” a friend once told me. “And I can’t stop listening to it. It’s as if she stole my diary and is broadcasting its secrets to the world.” “I’m almost afraid to see what Henry James will write in the next sentence,” another friend says. “Because it’s so close to my life that he might be telling me what I’ll do and think tomorrow.”

These days, in our virtual lives, this sense of spectral affinity may be more intense and unnerving than ever. Every other celebrity seems to have a stalker who feels he’s Gwyneth Paltrow’s other half, if only she would wake up to the fact; and many of us probably know more about Princess Diana or Tiger Woods, at least when it comes to their intimate lives, than about our siblings or parents. It’s almost as if we have one official life, in which we look and sound like our mother or father; but underneath is a more mysterious life in which we’re really closest to Zadie Smith, or that painter who’s produced our portrait without ever meeting us.

One of the writers who was most interested in this secret universe — we dream, again and again, of a place we’ve never seen in life, but almost never of the building in which we live; we meet a stranger at a party, and feel she knows us better than the old friends we came with do — was, as it happens, Graham Greene. At the age of 16, after failing to run away from the school where his father was headmaster, he was allowed (unusually for his time and class) to go and live for six months with a dream analyst in London, and the man’s glamorous wife. For much of his life thereafter he kept a careful diary of his dreams, meticulously indexed, and two of his novels, he said, came straight from dreams. The last book he prepared for publication before his death was a record of his dreams.

And here is a review of Iyer’s book in the New York Times Book Review.

A couple of mid-’90s Hip Hop Gems.

I saw a couple on the train this morning who were not shy about showing their affection. It was as if they were all alone, or perhaps they just get their kicks smooching in a crowd. Who knows?

Barry Larkin was elected to the Hall of Fame today.

Larkin 86%, Morris 67%, Bagwell 56%, Smith 51%, Raines 49%, Trammell & Edgar 37%, McGriff 24%, Walker 23%, McGwire 20%…Bernie 10%.

[Photo Credit: Ronald C. Modra/SI]

Jim Steranko

[Image via Whiz Bang Pow]

Andy Carey was not a star–perhaps he was no more than an average player–but he was good enough to start at third base for a pair of world championship teams during the glory years ofNew York City baseball. And if not for his presence at the hot corner, Don Larsen might not have made history in the 1956 World Series.

Carey died on December 15 at the age of 80, succumbing to a severe form of dementia, but his death was only reported publicly last week. Perhaps that’s a testament to the family’s desire for privacy. Or perhaps it’s evidence that Carey had become a forgotten figure in Yankee lore, having not played for the franchise in over 50 years. If the latter reason is the more accurate, then perhaps it’s something of a sad commentary on our society’s lack of interest in history.

Well, Carey should be remembered. First, he had a bit of quirkiness to him. For example, he was known as a voracious eater. He ate so much that he started costing the Yankees money. On road trips, the Yankees typically allowed players to sign for their meals in hotels and restaurants. Because of Carey’s insatiable appetite, the Yankees changed the policy.

On the field, Carey was the Scott Brosius of the 1950s, except for the fact that he never had the kind of breakout season that Brosius enjoyed in 1998. When Carey first came up, he was so strong defensively that the Yankees considered converting him to shortstop, with the plan to have him succeed an aging Phil Rizzuto. Ultimately, the Yankees decided that he was a better fit at third; he became the starting third sacker in 1954.

Offensively, Carey had only marginal talent. He led the league in triples one year and batted over .300 in 1954, but those achievements were the extent of his hitting highlights. Conversely, he was a solid defensive player, once turning four double plays in a single game to tie a major league record. On a team surrounded with sufficient offensive talent, like the Yankees had in the mid-1950s, you could win with a player like Carey at third base.

Larsen was certainly appreciative of Carey in Game Five of the ‘56 Series, when he took part in two remarkable plays. In the second inning, Carey knocked down a line shot off the bat of Jackie Robinson, the ball caroming to the left of the third baseman. Yankee shortstop Gil McDougald retrieved the ball and nipped Robinson at first. And then in the eighth, Carey made a diving snag of Gil Hodges’ line drive. Carey’s two-time heroics preserved both the no-hitter and the perfect game, the latter being the only one of its kind in postseason history.

Carey remained with the Yankees through the 1959 season. With the arrival of Clete Boyer via trade, the Yankees deemed Carey expendable. They traded him to theKansas CityA’s, Boyer’s former team, in exchange for power-hitting outfielder Bob Cerv.

From there, Carey bounced around with the A’s, White Sox and Dodgers before calling it quits in 1962. But it was as a Yankee that he would always be remembered. Carey became a frequent visitor toCooperstown, where he took place in baseball card shows, almost always signing with other Yankees from his era, like Larsen, McDougald, Yogi Berra, Moose Skowron and Hank Bauer.

Off the field, Carey led a busy life. He was married four times, including a past marriage to Lucy Marlow, a relatively little known actress who appeared in such programs as “Gunsmoke” and “The Blue Knight,” two old shows that I actually remember. The IMDB web site describes her as a “knockout-looking minor 50s film and TV actress.”

Some might describe Andy Carey as a “minor” player of the fifties, too. And that would be unfair. When you’re good enough to start for a quartet of pennant-winning teams and a couple of world champions, you deserve more of a description than that…

***

It continues to be a quiet off-season for the Yankees, with the latest non-development being the inability to sign Japanese star Hiroyuki Nakajima by last Friday’s deadline. Nakajima wanted more than a one-year contract, which represented the Yankees’ limit, and was not thrilled with the prospect of playing a backup role inNew York.

While most observers have fluffed off the non-signing, I think there’s something deeper here. That the Yankees had such interest in Nakajima, an All-Star shortstop inJapanwhom Brian Cashman projected as a utility infielder, indicates that they are not completely satisfied with Eduardo Nunez, last year’s utility man, or totally enamored with the prospects of re-signing Eric Chavez.

The Yankees love Nunez’ raw tools–he has an appealing combination of power and speed–but they are legitimately worried about his throwing problems. Derek Jeter and Alex Rodriguez are going to need more days off in 2012, not fewer, so Nunez will have to become more accurate in making throws from the left side of the infield. Perhaps that deficiency explains why the Yankees have been willing to include Nunez’ name in trade talks with teams like the Braves and the White Sox.

With regards to Chavez, he did play well before breaking his foot, but then showed little power after his return. And then there’s the problem of his repeated trips to the disabled list, which have become an annual occurrence. If a utility infielder cannot be trusted to stay healthy and fill in when needed, he loses a lot of his value.

If the Yankees don’t re-sign Chavez, where will they turn? On the free agent market, the pickings are slim, but there are some intriguing names, including Carlos Guillen, Bill Hall, Jeff Keppinger, and Miguel Tejada. All carry asterisks, if not outright questions. Guillen was once a star, but he’s now 35 and can’t stay healthy. Hall played so poorly for a bad Astros team that he was released in mid-season, and then he flopped during a 16-game trial with the Giants. Keppinger can really play only one position, second base, and doesn’t have the ability to play shortstop for more than a game at a time. Tejada, at 37, is as cooked as the Christmas goose in Scrooge.

All in all, the choices appear so limited that the Yankees may be forgiven for having the following thought: Is Chicken Stanley still available?

[Photo Credit: Hy Peskin]

Bruce Markusen writes “Cooperstown Confidential” for The Hardball Times.

Check out this long appreciation of Townes Van Zant by Aretha Sills in the Los Angeles Review of Books:

TVZ: There’s so many good young people and old people, I can’t listen to it all. I end up listening to Muddy Waters and Mozart, Muddy Waters and Mozart. Hank Williams every so often, and Lightnin’ Hopkins. I mean, I listen quite a bit, but mostly I’m playing. Traveling and playing. And when I’m in a car, somebody gives you a tape, you listen to it. That’s one of the best places, but eventually it comes down to the hum of the wheels.

TVZ: But this land is covered with brilliant young and old musicians. What it takes is perseverance, and you have to be lazy. You have to be too lazy to work. When you start, at least, it helps not to have a family, because I started before I had a family. Young men come up to me and say, ‘I’d really like to do what you, how shall I go about it?’ I say, well you get a guitar or a piano (I prefer a guitar because it’s a lot easier to carry than a piano), then you’ve got to blow off security, money, your family, your loved ones, your home, blow it all off and stay with your guitar somewhere under a bridge and learn how to play it. That’s how it goes. That’s what I did. And that discourages a lot of them, ‘cause some of them are like, ‘I have two kids and I work in a gas station. I’m going to save my money and go to Nashville for a week.’ But that ain’t it. And girls, young ladies, occasionally ask me. I say, well first off, you’ve got to cut all your fingernails on your left hand off. And that stops most of them. But it ain’t easy. I mean, it’s not hard; it ain’t easy. It’s killing me, I know that. Something’s killing everybody. Just sometimes I get so tired that I can’t even sleep.

[Photo Credit: Al Clayton]

Happy Monday.

[Photo Credit:  Fotourbana]

Say you’ve got an empty cone–and for the sake of this argument, let’s pretend you like cones–what kind of ice cream would you put in it?

[Photo Credit: A Day that is Dessert]

We’re proud to present a classic magazine profile by Richard Ben Cramer. “The Ballad of Johnny France” first appeared in the October, 1985 issue of Esquire and it is reprinted here with permission from the author.

The Ballad of Johnny France

Listen to the story of the lonesome lawman who went hunting in the mountains for Don and Dan Nichols, and who finally got ‘em, right there, by the campfire

By Richard Ben Cramer

You probably heard of the case, the young woman from Bozeman, Montana, who got kidnapped by Mountain Men. Her name was Kari Swenson. She was a world-class biathlete. Last July, as she was training, running a trail near the Big Sky resort, two men jumped out of the woods, grabbed her, and chained her up to a tree. These were Mountain Men, father and son. Turned out they were hunting a wife.

Well, they couldn’t have picked worse. Not that Kari wasn’t good-looking, or strong enough, or able to teach them a thing or two about social graces. She was all that and more: twenty-three, a graduate of Montana State U, tops at skiing and shooting, friendly in better circumstances. In fact, you could call Kari Swenson a proper belle of Bozeman, the perfect flower of the New West. Just happened the New West and these Mountain Men didn’t have much in common.

Did they mean to woo her with the squirrel they served? The boy so proud: he’d caught dinner with his cunning snare. And the old man, clever, careful; tending his crusted skillet on a smokeless squaw-wood fire. But Kari wouldn’t eat their mess. When the father left the campfire, she pleaded with the son: “You could let me go. I wouldn’t tell anyone.” The young man seemed to consider this. He said: “No, you’re pretty. I think I’ll keep you.”

Did the old man think they might win her over? “Just stay three days and you’ll start to love it….” But his mountain-wife dream wouldn’t last that long.

By dawn, there were fifty people on the trail or on their way: her parents from Montana State U, all hangs from the dude ranch where she worked, dogs, helicopters, lots of lawmen, Sheriff Onstad from Bozeman. This was tough country, steep and wild, and you couldn’t see ten yards through the timber. Sure enough, two searchers from the dude ranch would have walked right past Kari and her captors. But then they heard the shot.

They busted in on the campsite. Kari was chained up and bleeding. The young Mountain Man was crouched near the campfire, holding a gun, crying: “Oh, God, I didn’t mean to shoot her. Oh, God…” Kari had taken a .22 slug through her lung and out her back.

One of the searchers, Al Goldstein—he’d been in Montana only two years—circled around the campsite, dug in a pack, came up with a pistol. He yelled: “Put down your guns. You’re surrounded by two hundred men.” But the old man had a rifle. He wheeled and shot. Goldstein went down hard, on his back, the pistol in one loose hand, a walkie-talkie in the other, with one eye open and the other shot away, his mouth full of blood to the top.

The other searcher ran for his life. Father and son took the chain off Kari, left her to die. They said they’d kill anyone who came after them. They took off through the timber, and so began a five-month hunt for two men in the wilds of America.

But first there’s Kari Swenson, bleeding in the woods back up on the ridge. And below at the trailhead, there’s her father, Bob Swenson, chairman of the physics department at Montana State U, screaming at the sheriff from Bozeman: “DO SOMETHING!” And there’s Sheriff Onstad, trying to explain that he is doing something, that his men are searching in the air, on the ground, and anyway, there’s a problem: he has looked at a map and it’s not his county, not a case for Bozeman, or even Big Sky. They’re over the county line, off his turf. In fact, Kari’s six-mile run took this case right out of the New West.

Onstad explains that it’s Madison County, and that’s Sheriff Johnny France, and…Where is Johnny?

Well, Johnny does get there, at least in good time for the rescue. He’d stopped to commandeer a helicopter from an oil business near Ennis. As a matter of fact, it’s Johnny’s chopper that winches down an aluminum basket to hoist Kari off to the hospital. But when they lift her into the basket and flash the high sign and the chopper swings up, damn if they don’t mash that poor woman right into a dead lodgepole pine. “Yuh, almost dropped her,” recalls Johnny France. “Didn’t, though.”

Johnny gets busy at the crime scene: borrows a camera, takes the pictures himself. Mostly, they’ll just come out blank. He picks at the campsite for clues on the killers: a bit of flour and a few shell casings. Maybe some computer can match the shells—but that‘ll take time. Deputies with dogs want to get on the trail. Sheriff Onstad is setting up roadblocks already. Word has spread to Big Sky and back to Bozeman. The men of the New West are taking up guns. Women are locked in their houses. Maniacs loose in the woods! And where is Johnny?

Well, Johnny comes out of the woods pretty late. He’s thinking, doesn’t hurry. Drives the others nuts. “You know,” he tells a deputy, “there’s a fellow used to stay near the power plant, up the Beartrap. Had a son. Have to check, but, uh, his name mighta been Dan….”

Turns out he didn’t have to check—not for names, anyway. Search and rescue men with chain saws were already cutting on a pine tree at Ulery’s Lake. They carried out a three-foot stretch of log, emblazoned with a careful, curly print:

DAN
AND
DON
NICHOLS
LIVE IN
THESE
MTS.
July 14,
1984.

Once, when the boy was only nine and didn’t come home from summer in the woods with his daddy, the mother called Madison County, set the sheriff to hunting father and son. Old Roy Kitson was sheriff then. He and Deputy France had to hunt ten days to find Don and Dan up Beartrap Canyon. The mother drove down from White Sulpher Springs the following day. Meantime, Kitson took the boy home to give him a meal, maybe a bath. The boy had only his dirty clothes, a sleeping bag, and heavy field glasses that hung from his neck. Kitson’s wife, Minnie, tried to make conversation: “Oh, Danny,” she said, “where’d you get the big binoculars?” The boy didn’t seem to understand. Minnie reached out to touch the field glasses: “These…” But the boy twisted away. “No,” Dan said, “those are my people watchers.” He wouldn’t say much more.

Back in those days—that was ten years ago—Don only had summers to teach the boy in the woods. Come fall, it was hard to give him up. Don adored that boy: “I’d lay down my life for him,” he used to say, and no one who saw them together could doubt it. They’d come off the mountains, get to a store, and the topic was always, What does Dan want? More soda pop? Candy to take back to the woods? Nothing was too good for him. Don went without to give him presents, or money if he had any. But mostly he wanted to give Dan teaching: that’s what he’d missed.

Don Nichols’s father worked the mines around Norris, until he died in a car wreck. Don’s mother raised the kids, cleaning houses or doing other little jobs. Don never seemed to have a good coat, or the right shoes for the snow. He was a quiet kid, a hiker and hunter, smart enough to graduate at the head of Harrison High. But when his mother remarried, Don never got on with the new man or the new rules. He went off to the Navy, and no one in Norris saw him much after that, though they knew he’d come back—Montana was the only home for him.

Don left the Navy on a Section 8, mental instability. He talked like he’d put one over on the Navy, and he did seem straight enough. He found a wife in West Virginia, got a job there for Union Carbide. He made good money, they had Dan and a daughter, and another man might have been happy. Not Don. More and more, he talked about Back to Montana. He’d build them a cabin in the mountains. Well, Verdina, the wife, came from the mountains. She knew what hauling water was, and she liked her washer-drier. She’d come along to Montana, all right, but as to mountain life—“Living like the Indians,” Don said—no, there she drew the line.

(more…)

Matt Zoller Seitz is a gifted and engaging critic of popular culture. Today, he starts writing about TV for New York magazine. Here’s a piece he wrote in 2010 about The Larry Sanders Show, a Bronx Banter favorite if there ever was one:

If one were to make a list of the most influential TV series that almost nobody watched, HBO’s The Larry Sanders Show would be at the top. During its 1992-1998 run, it never got the industry accolades fans felt it deserved, and although it routinely ended up on critics’ year-end Top 10 lists, it got a meager handful of Emmy nominations and just three awards, a paltry number for a series that was often called the best thing on TV. And it rarely drew more than a couple million viewers per episode, a decent number for a premium channel in the pre-Sopranos era, but puny by broadcast network standards.

History, on the other hand, has rendered a glowing verdict. Created by actor-writer Garry Shandling and Dennis Klein, The Larry Sanders Show changed the look and feel of TV comedy. Its influence was felt almost immediately, and its impact continues to resonate. Although it wasn’t the first half-hour series to strip-mine the comedy of embarrassment, affect a laid-back, naturalistic style, or do without a score or a laugh track (except in the talk show sequences), the program’s combination of these elements was so distinctive that they amounted to a new template—one that subsequent programs borrowed and customized. From actor-writer-producer Ken Finkleman’s seriocomic Canadian series The Newsroom through the British and American versions of The Office and NBC’s current hit 30 Rock, which often feels like Larry Sanders played at double-speed, the series evokes that apocryphal line about Velvet Underground: Three thousand people bought their first album, and every one of them started a band.

It was warm on Saturday afternoon. Here’s the wife as the 1 train rolls into the station. Yup, she’s a good one.

Dig:

The Miller Lite ad in the middle of the 5th was one of my favorites:

Sweetness: listen.

[Photo Credit: Soonie2]