"A New York Treasure" --Village Voice

Monthly Archives: April 2012

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New York Minute

From “Here is New York,” by E.B. White:

New York blends the gift of privacy with the excitement of participation; and better than most dense communities it succeeds in insulating the individual (if he wants it, and almost everybody wants or needs it) against all enormous and violent and wonderful events that are taking place every minute. Since I have been sitting in this miasmic air shaft, a good many rather splashy events have occurred in town. A man shot and killed his wife in a fit of jealousy. It caused no stir outside his block and got only small mention in the papers. I did not attend. Since my arrival, the greatest air show ever staged in all the world took place in town. I didn’t attend and neither did most of the eight million other inhabitants, although they say there was quite a crowd. I didn’t even hear any planes except a couple of westbound commercial airliners that habitually use this airshaft to fly over. The biggest ocean-going ships on the North Atlantic arrived and departed. I didn’t notice them and neither did most other New Yorkers. I am told this is the greatest seaport in the world, with six hundred and fifty miles of water front, and ships calling here from many exotic lands, but the only boat I’ve happened to notice since my arrival was a small sloop tacking out of the East River night before last on the ebb tide when I was walking across the Brooklyn Bridge. I heard the Queen Mary blow one midnight, though, and the sound carried the whole history of departure and longing and loss. The Lions have been in convention. I’ve not seen one Lion. A friend of mine saw one and told me about him. (He was lame, and was wearing a bolero.) At the ballgrounds and horse parks the greatest sporting spectacles have been enacted. I saw no ballplayer, no race horse. The governor came to town. I heard the siren scream, but that was all there was to that — an eighteen-inch margin again. A man was killed by a falling cornice. I was not a party to the tragedy, and again the inches counted heavily.

I mention these merely to show that New York is peculiarly constructed to absorb almost anything that comes along (whether a thousand-foot liner out of the East or a twenty-thousand-man convention out of the West) without inflicting the event on its inhabitants; so that ever event is, in a sense, optional, and the inhabitant is in the happy position of being able to choose his spectacle and so conserve his soul. In most metropolises, small and large, the choice is often not with the individual at all. He is thrown to the Lions. The Lions are overwhelming; the event is unavoidable. A cornice falls, and it hits ever citizen on the head, every last man in town. I sometimes think the only event that hits every New Yorker on the head is the annual St. Patrick’s Day parade, which is fairly penetrating — the Irish are a hard race to tune out, and they have the police force right in the family.

If you’ve never read this slim volume, do yourself a favor and cop it, pronto. It’s a keeper.

[Photo Credit: Todd Webb via Kateoplis]

The Old Man (Is Down the Road)

Check out this piece on Satch Paige by Ian Couch over at the New Yorker’s sports blog.

Early Season Test

It’s raining again in New York this morning and that’s a good thing–boy, do we ever need the rain. The Yanks are in Texas for three games to start the week. The Rangers are the best team in baseball.

Check out this piece by Marc Carig for the Star-Ledger;  this one by Tyler Kepner on the Rangers’ general managerJon Daniels, while over at River Ave Mike Axisa looks at the Yankees rotation for the series.

[Photo Credit: Elevated Encouragement]

Million Dollar Movie

Game got rained out so I’m watching “Spellbound” with the wife. She loves Hitchcock.

She is ascared, stressed, and can’t stop asking questions. “I love this movie,” she says. “Oh, I just love it.”

“How can you be typing at a time like this?” she says.

Warshed Away

About the best thing that could have happened to the Red Sox tonight was a rainout. They got it and avoid facing C.C. Sabathia. Too bad.

Yanks have a challenging week ahead in Texas and then back in the Bronx against the Tiger.s

[Photo Credit: Arthur Brower via the Lively Morgue]

Sundazed Soul

Mr. Evans:

08 My Funny Valentine

[Photo Credit: Traysaun/ballie]

Perfect Day for the Bomb Squad

This past Thursday the wife and I celebrated our fifth wedding anniversary. We got married, just the two of us, in the Bahamas. After the ceremony and the pictures, we returned to our hotel room. It was a Thursday afternoon. The wife went into the bathroom to wash up and I clicked the TV on and saw on the ESPN ticker that the Yankees were losing to the Indians. I turned the TV off and after the wife and I consummated the marriage we later turned the TV back on and saw that the Yanks had won, and that Alex Rodriguez hit a game-ending grand slam.

This afternoon the wife and I went downtown to enjoy massages. I e-mailed a Red Sox pal of mine and predicted one thing–that Freddy Garcia would get his tits lit, which was precisely what happened. I saw that the Sox scored twice in the first on my phone just as we arrived at the spa. Bad enough there was troubling news about Michael Pineda before the game. Dammit. I turned the phone off and didn’t turn it back on until we left a good while later. Score was 9-5. Swisher had just hit a grand slam after the Yanks trailed 9-0. Predictable, I thought. Well, at least they are making it respectable.

Little did I know that the White Sox pitcher Phillip–Don’t Call Me Humbert–Humber was on his way to completing a perfect game against the Mariners in Seattle. The Yanks were down 9-1 in the 7th, with one out and Russell Martin on first when Fox cut away to the White Sox game. By the time Humber had his perfecto and was interviewed for TV and Fox returned to Boston, Swisher’s grand slam got the Yanks back in the game. Runners were on the corners and Mark Teixeira was at the plate. Joe Buck and Tim McCarver were excited. Tex already had a solo homer and now, batting left-handed, he popped a three-run dinger over the Green Monster. Most of the damage was not televised.

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The score stood at 9-8 when the wife and I got to the restaurant for dinner. The game was on the TV at the bar and so I stayed at the bar, with the wife’s blessing–she sat in our booth following on the phone–as we waited for our food. That’s where I saw the Yanks take the lead. And then some. The Bombers scored 7 in the 7th and 7 more in the 8th on their way to a ball-busting win that will not soon be forgotten. Games like this, even in April, are memorable. It was a rousing win for the Yanks and a punch-in-the-face loss for the Sox, “rock bottom,” according to Bobby Valentine.

Final Score: Yanks 15, Sox 9.

I couldn’t think of a sweeter anniversary gift from the so-called Baseball Gods.

Thank you. And the wife thanks you, too.

 

 [Photo Credit: Corey Sipkin/N.Y. Daily News]

Don’t Get Mad…


The Red Sox look to get even with the Yanks this afternoon. Fab Five Freddy Garcia–flammable so far this season–will pitch for the Bombers. C’mon, Freddy, hold that pill like a fuggin’ egg and throw the crap out of it.

Derek Jeter DH
Nick Swisher RF
Robinson Cano 2B
Alex Rodriguez 3B
Mark Teixeira 1B
Curtis Granderson CF
Andruw Jones LF
Russell Martin C
Eduardo Nunez SS

Let’s Go Yank-ees!

 

Saturdazed Soul

Bliss is Fats.

2-19 Honey Hush

[Photo Credit: :: Kate::]

We’ll Take Two More Just Like That

 

I know it’s only April but is there anything as sweet as the muted sound of Fenway Park when the Red Sox are losing? The place had a terrific celebration before the game yesterday but for the final three innings it was blissfully quiet. Which can only mean good things. The Yanks hit five solo home runs (including two by Eric Chavez) against Clay Buchholz and Ivan Nova had a nice curveball going as the visiting team spoiled the day for the home nine.

Final Score: Yanks 6, Sox 2.

[Photo Credit: John Tlumacki/Boston Globe; Michael Dwyer/AP]

Lyrical Tactics

Yanks and Sox celebrate a big anniversary at Fenway.

Derek Jeter SS
Curtis Granderson CF
Alex Rodriguez DH
Robinson Cano 2B
Mark Teixeira 1B
Nick Swisher RF
Raul Ibanez LF
Eric Chavez 3B
Russell Martin C

Nova on the hill.

Never mind the hoopla: Let’s Go Yank-ees!

[Featured Image via It’s a Long Season; photo of Zim via Sports Illustrated]

Afternoon Art

Collage by Robert Motherwell

New York Minute

Noo Yawk Tawk.

Taster’s Cherce

Food 52 Contest Winner:  Sho ‘Nuff.

[Photo Credit: Sarah Shatz]

Beat of the Day

Smooth out the R&B.

Disarming

Mariano Rivera shredded the Twins last night to seal a thrilling victory. Joe Mauer, one of the greatest batsmen in the game, was the second out. Mauer saw one pitch, an insistent, boring cutter and it destroyed him.

Mariano breaks a lot of bats. And he’s caused a few guys to chuck their bats after missing entirely. But what he did to Mauer, I’ve never seen before. Mauer hit the ball – a dribbler to second base – and still lost his bat into the seats. This wasn’t a guy slipping or getting fooled; Mariano literally knocked the bat out of his hands.

I thought of a good-guy gunslinger shooting the bad guy in the hand, or a fencer twirling the epee out his opponent’s grip. But more powerful than that. Maybe one of these moments captures it best:

[Featured Image: Getty]

Simply Beautiful

A friend recommended this book to me. I read it last month. It is beautiful.

At the New Yorker blog, The Book Bench, Kelly Stout writes:

At the suggestion of a colleague, I picked up William Maxwell’s “So Long, See You Tomorrow,” which first appeared in The New Yorker in two parts in 1979, and for me, falls into that category one semi-secretly curates: Books I Really Ought To Have Read Already. But no matter; now seems as good a time as any for a novel about nostalgia. Maxwell’s narrator—who is sometimes thought to be a shade of the author himself—remembers a moment in his youth, following the death of his mother, when he “had inadvertently walked through a door that I shouldn’t have gone through and couldn’t get back to the place I hadn’t meant to leave.” The boy develops a habit of dwelling in the skeleton of the house his father and stepmother are building for their new life, when he discovers “I had found a way to get around the way things were.”

Edward Mendelson wrote in The New York Review of Books that “in Maxwell’s realistic fiction no one learns and no one changes,” and indeed, “So Long, See You Tomorrow” is a study in craving the past, even for characters like the narrator’s forward-looking father, who solves the problem of his first wife’s death with a marriage to someone new. The narrator tells this story just about a half-century after it happens, timing that recalls the forty-year cycle of nostalgia that Adam Gopnik writes about in the magazine this week. The novel is a balm for anyone attracted to the half-soothing, half-sinister sense that everything was better just before it got bad. Without earnestly condemning his own impulses toward glancing backward, the narrator laments that, “Between the way things used to be and the way they were now was a void that couldn’t be crossed.”

Here is the Mendelson article cited above:

William Maxwell was a plain-speaking, seemingly realistic novelist who wrote autobiographical stories about middle-class life in small towns and urban neighborhoods. At first he tried to imitate Virginia Woolf’s lyricism, but he soon cleansed his style of ornament and exaggeration. He wrote in taut, laconic rhythms that evoked the spare speech of his native Midwest, and portrayed his characters’ inner and outer lives with economical clarity and nuance. His props and characters were indistinguishable from real settings and persons from Lincoln, Illinois, where he was born in 1908, and Manhattan, where he lived most of his adult life until his death in 2000. Almost every episode in his fiction was reconstructed from events in his life, rearranged for concision and elegance. In a few heightened moments in his novels and stories, he imagined what the furniture and fixtures in a room might say if they could speak among themselves, unheard by human ears, but he presented these moments as metaphors for the sad reality of human moods.

Maxwell had two separate careers as a writer; both overlapped his third career as fiction editor of The New Yorker. His first career, as a writer of realistic novels and stories, began when his first novel appeared in 1934 and continued in such books as The Château (1961) and So Long, See You Tomorrow (1980). In 1946, a year after he married a young painter, he began a second career as a writer of magical folktales in the style of Mother Goose and the Brothers Grimm. In these tales the magic hidden beneath the surface of his realistic fiction emerges with explicit and often comic force, and their world is partly the familiar modern one, partly a timeless fairyland, and wholly his own invention.

[Photo Credit: Hengki Koentjoro]

And I Don’t Care If The Money’s No Good

This was the song I didn’t want to listen to yesterday. Thought it would make me too sad. But then I did listen to it and I played it again and again and marveled at its power. A friend of mine said, “It doesn’t convert you to the Confederacy or anything, but it kinda makes you understand the Confederacy, which is a bold thing.” Amen.

And here is a great version from “The Last Waltz.”

Rest in Peace, Levon.

“Curtis! You’re Something Sorta Grandish!”

 


I’ve always had this image of Yankees’ radio announcer John Sterling working on his game during the off-season. He’s sitting at the kitchen table with a cup of coffee, a copy of the latest roster, and a shaky understanding of what listeners might find clever or cool.

“Teixeira… Teixeira… Mark Teixeira… Hmm, what about this? On your Mark, get set… Go Teixeira! No, that’s not gonna work. C’mon, big John! Wait — I got it! You’re on the Mark, Teixeira! That’s gold, baby, gold!”

Some of Sterling’s catch phrases are simply awful, but others are, admittedly, a bit catchy. I’ve always liked the line he usually drops when Curtis Granderson goes deep. “Who can do it? The Grandyman can!” Sure, it’s easy, but I like it.

It’s my guess that Sterling never thought he’d have to go to the well three times in one game for Granderson, so I’ll forgive him his regrettable call of Grandy’s third home run on Thursday night. (Yes, you read that correctly, the Grandyman went deep three times, and I have to believe Sterling is still kicking himself for not coming up with this line instead: “Curtis, you’re once, twice, three tiiiiiimes a Grandy!”)

Ah, but there was a game, so we should get to that.

Aside from Granderson’s historic night, I felt like I had seen this game before. First, a Yankee regular was given half a day off at DH, and Eduardo Núñez was inserted into the lineup. I can understand the urge to rest veterans like Alex Rodríguez and Derek Jeter, but Robinson Canó?

It took only three batters for this decision to blow up. With one out and a runner on first base, Joe Mauer pounded a routine ground ball out to second. Núñez fielded the ball cleanly, but then threw the ball high and wide to first. Teixeira was able to snag the errant toss, but he was pulled away from the bag and Mauer was safe.

Phil Hughes was on the mound, and he responded by striking out Josh Willingham for the second out, then proved he’d been paying attention during the first three game of the series by walking Justin Morneau on four pitches. Hughes could’ve gotten the next batter and no one would’ve thought about Núñez’s error again, but he didn’t. Ryan Doumit singled to left to score two runs, then Danny Valencia followed with a double to score two more, and the Yankees were down 4-0.

There’s a strong temptation to point out that all four of those runs were unearned and lay all the blame at the feet of Mr. Núñez, but Hughes has to shoulder at least half of the responsibility. Games often turn on a single at bat when the pitcher either makes his pitch or doesn’t. Hughes didn’t make his pitch, but as it turned out those mistakes to Doumit and Valencia didn’t determine the game.

Granderson started the climb back with a one-out solo home run in the top of the first, and three batters later Teixeira launched a two-run shot to bring the Yanks to within 4-3. Then a funny thing happened — Hughes started making his pitches.

For a four inning stretch from the second to the fifth inning, Hughes allowed just two hits and never felt much pressure from the Twins.

Meanwhile, the Yankees kept clawing their way back. Núñez did his best to make up for his earlier error by doubling with two outs in the second, then scored when Jeter rifled a single into right field, the 3,110th base hit of Jeter’s career, tying him with his boyhood idol, Dave Winfield. Just as we were digesting this and thinking about all the Hall of Famers Jeter’s likely to pass on the hits list in the next month, Granderson struck again, belting his second homer of the game to grab a 6-4 lead. Two innings later he’d hit his third of the game, another solo shot, and the score was 7-4.

The weight of Hughes’s long first inning finally took its toll in the sixth. After wisely walking Morneau to lead off the inning, Hughes floated a change up to Doumit. Doumit rubbed his eyes in disbelief, licked his chops, and dispatched the ball deep into the night. The lead had shrunk to 7-6 and manager Joe Girardi had no choice but to lift his starter, but it didn’t matter. The bullpen was coming in, so the game was over. Boone Logan, Rafael Soriano, David Robertson, and Mariano Rivera (or, LoSo-RoMo) came in and turned out the lights: 3.2 IP, 4 H, 4 K, zero hope.

Much has been made of the ineffectiveness of the Yankee starters and their paltry total of three quality starts, but the bullpen has been the yin to that yang. If we award starting pitchers a quality start for lasting six or more innings and yielding three or fewer runs, why not give an entire bullpen a Quality Finish for an equally effective closing? (For all I know, this statistic might already exist, but please allow me to continue thinking that I made it up.)

Let’s say that a team will get a quality finish when a game is closed in one of two ways: two innings or less with no runs allowed or three or more innings with one run allowed. Using that definition the bullpen has notched ten quality finishes. The folks at Elias will have to tell you how that compares to the rest of the league. I can tell you that the bullpen ERA sits at 1.83, which is pretty good.

Before we go, here’s an interesting note about Jeter. He’s currently riding a ten-game hitting streak, the 44th double-digit streak of his career, which ties him with Al Simmons for fourth place all-time behind Tris Speaker (47), Hank Aaron (48), and Ty Cobb (66), Hall of Famers all.

A nice win for the Yanks. Here’s hoping they bottled that bit of momentum and took it with them up to Boston.

Yankees 7, Twins 6.

[Photo Credit: Frank Franklin II/AP Photo]

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"This ain't football. We do this every day."
--Earl Weaver