Monthly Archives: May 2013

David Lebovitz does Brownies (with a little help from Katherine Hepburn).

Fun.

“What Yo Life Can Truly Be”–De La Soul

[Photo Credit: Saint Courtney]

This profile of Steve Carlton “Thin Mountain Air” was written by our man Pat Jordan. It originally appeared in Philadelphia magazine in April, 1994 and appears here with the author’s permission.

Durango, Colorado, is a cold mountain community 6,506 feet above sea level. It is known for its thin air, which can make residents light-headed, disoriented. It is surrounded by the La Plata mountain range. Built into the foothills of those mountains is a domed concrete house covered with snow and dirt. No one but its owner can explain what he was seeking with that house.

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“I came to Durango in 1989 to get away from society,” he says. He is a big man, 6–5, 225 pounds, dressed in a Western shirt, jeans and cowboy boots. He is standing beside his truck in the thick snow that covers the land around his bunker and rests gently on the branches of the low-lying piñon trees that dot his 400 acres. It is a few days before Christmas.

“I don’t like it where there are too many people,” he says. “I like it here because the people are spiritually tuned in.” He glances sideways, out of the corner of his eyes. “They know where the lies fall.”

He makes a sweeping gesture with a long arm, encompassing his bunker, his barn with its turkey, pheasants and horses, and more than 160 fruit trees he has planted. “This is sacred land,” he says. “We’re self-sufficient here. There’s no one around us. We grow our own food.”

He points to sliding glass doors that lead inside his bunker to the greenhouse off his bedroom. “We have our own well,” he says. “And 16 solar batteries for heat and electricity.”

Even his telephone works on cellular microwave transmitters. That way no one can tap his wires.

“The house is built with over 300 yards of concrete,” he says. “Three-feet-thick walls covered by another three feet of earth.” Why? He looks startled, like a huge bird. His small eyes blink once, twice, and then he says, “So the gamma rays won’t penetrate the walls.”

Built under the house is a 7,000-foot storage cellar. He’s stocked it with canned foods, bottled water, weapons. “Do you know if you store guns in PVC pipe, they can last forever underground without rusting?” he says.

He glanced sideways again. “The Revolution is definitely coming.” He believes in the Revolution, only he isn’t precisely sure which of a myriad of conspiratorial groups will begin it. Possibly, he says, it will be started by the Skull and Bones Society of Yale University. Or maybe the International Monetary Fund. Or the World Health Organization. There are so many conspiracies, and so little time. Sometimes all those conspiracies confuse him and he contradicts himself. One minute he’ll say, “The Russian and U.S. governments fill the air with low-frequency sound waves meant to control us,” and the next he’ll say, “The Elders of Zion rule the world,” and then, “The British MI-5 and-6 intelligence agencies have ruled the world since 1812,” and, “Twelve Jewish bankers meeting in Switzerland rule the world,” and, “The world is controlled by a committee of 300 which meets at a roundtable in Rome.” The subterfuge starts early. Like the plot by the National Education Association to subvert American children with false teachings. “Don’t tell me that two plus two equals four,” he once said. “How do you know that two is two? That’s the real question.”

He believes that the last eight U.S. presidents have been guilty of treason, that President Clinton “has a black son” he won’t acknowledge and that his wife, Hillary, “is a dyke,” and that the AIDS virus was created at a secret Maryland biological warfare laboratory “to get rid of gays and blacks, and now they have a strain of the virus that can live ten days in the air or on a plate of food, because you know who most of the waiters are,” and finally, that most of the mass murderers in this country who open fire indiscriminately in fast-food restaurants “are hypnotized to kill those people and then themselves immediately afterwards,” as in the movie The Manchurian Candidate. He blinks once, twice, and says, “Who hypnotizes them? They do!”

Maybe he isn’t really contradicting himself. Maybe he is just one of those people who read into the simplest things a cosmic significance they may or may not have. Conspiracies everywhere to explain things he cannot fathom. The refuge of a limited mind. “The mind is its own place,” John Milton wrote in Paradise Lost. “And in itself can make a Heaven of Hell, a Hell of Heaven.”

Steven Norman Carlton, “Lefty,” discovered his first conspiracy in 1988, when he was forced to leave baseball prematurely and against his will, he says—after a 24-year-major-league pitching career of such excellence that he was an almost-unanimous selection for baseball’s Hall of Fame on his first try, this past January. He received 96 percent of all baseball writers’ votes, the second-highest percentage ever received by a pitcher (after Tom Seaver’s 98 percent) and the fifth-highest of all time.

Carlton, who pitched for the Phillies from 1972 to 1986, after seven years with the St. Louis Cardinals, has—after the Braves’ Warren Spahn—the most wins of any left-handed pitcher. Carlton won 329 games and lost 244 during his career. Six times he won 20 games or more in a season, and he was voted his league’s Cy Young Award a record four times. His most phenomenal season, one of the greatest seasons a pitcher has ever had, came in his first year with the Phillies: Carlton won 27 games, lost only ten, and fashioned a 1.98 ERA for a last-place team that won only 59 games all season. In other words, he earned almost half of his team’s victories, the highest such percentage ever. For almost 20 years, he was the pitcher against which all others were judged.

The secrets to his success were many. Talent. An uncanny ability to reduce pitching to its simplest terms. An unorthodox, yet rigorous, training regimen. A fierce stubbornness and an even fiercer arrogance. All contributed to his success on the mound and, later, to his inability to adjust to the complexities of life off the mound.

As a pitcher, Carlton knew his limitations. A mind easily baffled by intricacies. There were so many batters. Their strengths and weaknesses confused him, so he refused to go over batters’ tendencies in pregame meetings. He blocked them out of his consciousness and reduced pitching to a mere game of toss between pitcher and catcher—his personal catcher, Tim McCarver. He used only two pitches: an explosive fastball and an equally explosive, biting slider. He just threw one of the two pitches to his catcher’s glove. Fastball up and in; slider low and away.

He worked very hard to let nothing intrude upon his concentration. Once the third baseman fired a ball that hit him in the head. He blinked, waved off the players rushing to his aid, picked up the ball, toed the rubber and faced his next batter. His parents, Joe and Anne Carlton, claim they’ve never seen their son cry.

It was not always easy for him to be so singularly focused while pitching.

“Concentration on the mound is a battle,” he says. “Things creep into your mind. Your mind is always chattering.”

To prevent any “chattering” before a start, he had the Phillies build him a $15,000 “mood behavior” room next to the clubhouse. It was soundproof, with dark blue carpet on the floor, walls, and ceiling. He’d sit there for hours in an easy chair, staring at a painting of ocean waves rushing against the shore. A disembodied voice intoned “I am courageous, calm, confident, and relaxed … I can control my destiny.”

Carlton, said teammate Dal Maxvill, lived in “a little dark room of his mind.” His training routine was just as unorthodox. He hated to run wind sprints, so instead he stuck his arm in a garbage pail filled with brown rice and rotated it 49 times, for the 49 years that Kwan Gung, a Chinese martial-arts hero, lived. By then, Lefty himself was a martial-arts expert.

He performed the slow, ritualized movements in his clubhouse before each game. He also extensively read Eastern theology and philosophy. Those texts discussed the mysteries of life, the unknowable and how a man should confront them. Silence, stoicism, and simplicity. Those tenets struck a chord in him because, increasingly, his life off the mound was becoming more complex than a game of catch. People constantly clamored for his autograph. Waitresses messed up his order in restaurants, so he tore up their menus. Reporters began to ask him questions he didn’t like, or didn’t understand, or maybe he just thought were trivial. They even had the effrontery to question him about his failures.

“People are always throwing variables at you,” he said in disgust, and refused to talk anymore. The press called it “the Big Silence.” From 1974 to 1988, Carlton wouldn’t speak to the media. (It wasn’t just Daily News sportswriter Bill Conlin’s stories, as many assumed, but a series of articles, Carlton says now, that drove him to withdraw.) One sportswriter said there would come a time when Lefty would “wish he’d been a good guy when he’d had the chance.” But he didn’t have to be a good guy. He wasn’t interested in the fame being a good guy would bring him. He wanted only to perfect his craft, which he did, and to become rich.

Over the last ten years of his career, Carlton earned close to $10 million, almost all of it in salary because he didn’t want the annoyance of doing endorsements. It was demeaning, he thought, for him to hawk peoples’ wares. Then again, thanks to the Big Silence, there weren’t a lot of sponsors beating down his door. He already had a reputation for sullen arrogance. When he went to New York City once to discuss a contract for a book about his life, he told the editors he really didn’t care about the book, that he was just doing it for the money and because his wife, Beverly, thought it was a good idea. The editors beat a hasty retreat.

Carlton didn’t need a publisher’s money, or a sponsor’s, because he had a personal agent who promised to make him so rich that when he retired he could do nothing but fish and hunt. He had his salary checks sent directly to the agent, David Landfield, who invested them in oil and gas leases, car dealerships and Florida swampland. Since Carlton couldn’t be bothered with the checks and often had no idea exactly how big they were, Landfield simply sent him a monthly allowance, as if he were a child. These monthly allotments would be all Carlton would ever see out of his $10 million. Not one of Landfield’s investments for him ever made a cent. By 1983, all the money was gone.

During the nine years that Landfield worked for him, Carlton’s friends tried to warn him off the agent. Bill Giles, the Phillies’ owner, and Mike Schmidt, Lefty’s teammate, pleaded with him to drop Landfield. But he wouldn’t listen. One time, he even got in a fight with Schmidt in the clubhouse because of Landfield, and the two, formerly close friends, stopped speaking. Carlton said it was because he was loyal to Landfield, whom he trusted. Others said he was just being stubborn and arrogant because his success on the mound had led him to believe he was invincible off it. McCarver once said that Lefty “always had an irascible contempt for being human. He thinks he’s superhuman.”

When the truth of what Landfield had done with his money finally intruded into Carlton’s psyche, it was too late. He went through the motions of suing Landfield in 1983, but by then Landfield had declared bankruptcy. Worse, Carlton never had a chance to recoup his money, because only a few years later his career was on the downswing and those big paychecks were a thing of the past. He began to lose the bite on his slider in ’85, and people told him he should try to pick up another pitch. But he refused. He continued to throw the only way he knew how.

Fastball up and in, slider low and away.

Between 1986 and 1988, Carlton was traded or released five times, until finally, after being cut by the Minnesota Twins, no club would sign him—even for the $100,000 league minimum. Carlton was furious. At 43 he insisted he could still pitch. That’s when he uncovered his first conspiracy.

“The Twins set me up to release me by not pitching me,” he says today. “And other owners were told to keep their hands off. Other teams wouldn’t even talk to me. I don’t understand it.” To understand it, all Carlton has to do is look at his pitching record from 1985 to 1988: 16 wins, 37 losses and an ERA of more than five runs per game. It was a reality he didn’t want to face. So, sullen and hurt, Carlton decided to punish those who had hurt him. He retreated to Durango and soon afterward began building his mountain bunker, turning his back on the game and the real world that had betrayed him.

Steve Carlton, 49, dressed in a T-shirt and gym shorts, is standing on his head in the mirrored exercise room, performing his daily three hours of yoga.

“I don’t even feel any weight above my neck,” he says, upside down. Just then a screaming flock of children runs into the room with their female yoga instructor, who is dressed in black tights. Immediately, Carlton takes out two earplugs and sticks them in his ears.

“It takes the bite off the high-end notes,” he says, smiling. He is still a handsome man, his face relatively unlined. His is a typically American handsomeness, perfect features without idiosyncrasies. Except for his eyes. They are small and hazel and show very little.

“I spend my summers riding motorcycles and dirt bikes,” he says. “I work around the house. It’s taken us three years and we’re still not finished. (It is rumored that he doesn’t have the money to do so.) In the winter I ski and read books, Eastern metaphysical stuff. All about the power within. Oneness with the universe. I want to tap into my own mind to know what God knows.” He rights himself, sits cross-legged on a mat and begins contorting into another yoga position, the ankle of his left leg somewhere behind his ear.

“You ought to try,” he says. “Yoga for three hours a day. And skiing, too.” He says this with absolute conviction, as if it has never crossed his mind that there are those who do not have three hours in the morning to spare for yoga, and three more hours in the afternoon to ski. In fact, Durango seems to be the kind of town where people have unlimited leisure time. At 10:30 on a weekday morning, the health club is packed. Durango is one of those faux-Western towns whose women dress in dirndl skirts and cowboy boots and whose men, their faces adorned with elaborately waxed 1890s handlebar mustaches, wear plaid work shirts rolled up to the elbows. It has a lot of “saloons”—not bars—with clever names, like Father Murphy’s, that have walls adorned with old guns, specialize in a variety of cappuccinos and frown upon cigar smoking. Clean air is an important subject in Durango. When the town’s only tobacco shop wanted to hold a cigar smoker, its two owners were afraid it would be disrupted by protesters chaining themselves to their shop door. It’s a town for people who cannot countenance the idiosyncrasies of their fellow man. So they come to this clean, thin mountain air where they can breathe without being contaminated by the foulness of the rest of the world.

Carlton believes he is in better physical shape now than when he left baseball six years ago. “In a month I could be throwing in the 80s [miles per hour] and win,” he says. “There’s nothing wrong with me. I was labeled ‘too old.’ But you can still pitch in your 50s. It’s not for money but for pride, proving you can perform. That’s the beauty of it. Then to be cut off … It’s disheartening. If only they let you tell them when you know you’re done. It hurts. But I haven’t looked back. No thought of what I should have done. Maybe I should have learned a circle change up in my later years. But I didn’t think I needed a change.”

Most great pitchers intuit the loss of their power pitches before it actually happens. Warren Spahn, for example. He could see, in his early 30s, a time when his high, leg-kicking fastball would no longer be adequate. So he began to perfect an off-speed screwball and a slow curve. By the time Spahn lost his fastball, he had perfected his off-speed pitches, and his string of 20-victory seasons continued unbroken into his late 30s and early 40s. But Carlton was both luckier than Spahn and less fortunate. Because he did not lose his power pitches until late into his 30s, he was deluded into thinking he would never lose them, and so didn’t develop any off-speed pitches.

Carlton, lying on his back now, pulls one leg underneath himself and stretches it. “Baseball was fun,” he says. “But I have no regrets. Competition is the ultimate level of insecurity, having to beat someone. I don’t miss baseball. I never look back. You turn the page. Eternity lies in the here and now. If you live in the past, you accelerate the death process. Your being is your substance.”

As a player, Carlton was known for his conviviality with his teammates. He spent a lot of his off-hours drinking with them, and there were hints in the press, most notably by Bill Conlin, that his drinking contributed to some of his disastrous years, such as the 13–20 ’73 season. After he left baseball, Carlton, who used to be a wine connoisseur, with a million-dollar cellar, gave up drinking.

“I had nobody to go drinking with anymore,” he says. “Now when I see old baseball players, I have nothing to talk to them about. All that old-time bullshit. It bores me. I live in the here and now. I’d be intellectually starved in the game today.” Still, Carlton would like to get back into it. He sees himself as a pitching coach in spring training.

“I’d like to teach young pitchers the mental aspect of the game,” he says. “Teach them wisdom, which is different than knowledge. Champions think a certain way. To a higher level. They create their future. The body is just a vehicle for the mind and spirit. Champions will themselves to win. They know they’re gonna win. Others hope they’ll win. The mind gives you what it asks for. That’s its God.”

Then he relates a story about a friend in Durango, who, years ago, didn’t want to play on his high school basketball team because he knew it was going to have a losing season. Before the season began, the friend was hit by a car, destroying his knee.

“See,” says Carlton, as if he’s just proved a point. “If you have an accident, you create it in your mind. That’s a fact. The mind is the conscious architect of your success. What you hold consciously in your mind becomes your reality.”

If this is so, then Carlton must have willed his own failure in the twilight of his career. When such a possibility is broached to him, he looks up, terrified. He blinks once, in shock, and a second time to banish the thought from his psyche. “Why do you ask such questions?” he says shrilly. He has so carefully crafted his philosophies that he can become completely disoriented when they are challenged. That’s why Carlton has withdrawn from the world into the security of his bunker.

There he is left alone with only his thoughts, his dictums, his conspiracies, with no one to question them. Such questions strike fear in Carlton. And above all else, Steve Carlton is a fearful man.

“Fear dictates our lives,” he has said. “Fear is a tremendous energy that must be banished. Fear makes our own prisons. It’s instilled in us by our government and the Church. They control fear. It’s the Great Lie. But don’t get me started on that.” For a man who, for 15 years, was known for his silences, Carlton now talks a lot. In fact, he can’t stop himself. When he was voted into the Hall of Fame this past January, he held a press conference. At the end of its scheduled 45 minutes, the sportswriters got up to leave. Carlton called them back to talk some more.

“I don’t mind,” he said. “It’s been a long time.”When he is inducted, with Phil Rizzuto, into the Hall in late July before the assembled national press, it will be interesting to see if he will still be so loquacious.

A lot of people are suspicious of his motives for talking so much. Carlton claims, “It’s all Bev’s idea.” He says his wife wants him to get back into the world. For years, Beverly Carlton ran interference for her husband during “the Big Silence.” After Carlton won his 300th game, in 1983, he surrounded himself with a police escort and fled the clubhouse to avoid reporters. He left it to Bev to talk to the press.

“Steve would like to play another ten years,” she told them. “He just might. Baseball’s been great to us.”Then, to humanize her distant husband, she revealed a little intimacy. “Well,” she said, “he likes Ukrainian food.”

In Carlton’s final season, when he began to rethink his silence, he said it was because “my wife convinced me that if I want to find a job after I’m through playing, having my name in the paper doesn’t hurt.” Even today, Bev Carlton schedules her husband’s interviews. (He no longer has an agent.) When reporters show up in Durango, Carlton will feign surprise at their presence.

“I didn’t know you were coming,” he says. When told that his wife said she confirmed the interview with him, he blinks, once, twice, and says, “I didn’t pay any attention.”

In this way, he can lay off the distasteful prospect of being interviewed on his wife. He can maintain, in his mind’s eye, the lofty arrogance of “the Big Silence” while no longer adhering to it. (“Bev likes to read about me,” he says.) It is likely that Carlton is talking now because he needs money, looking to reassert his presence in the public’s consciousness so he can do endorsements.

“We’ll probably do some of that stuff in the coming years,” he says. It’s a distasteful position his old agent put him in, and one he doesn’t like to be reminded of. “It’s one of life’s little lessons,” Carlton says of David Landfield. “I don’t want to talk about it. I no longer live in the past.”

Then, after a moment of silence, he adds, “It all came down to trust. You’re most vulnerable there. When your trust is breached, it affects you.”

Most of Carlton’s money for the past few years has come from his two businesses. He claims he is a sports agent, but won’t mention the names of his clients. (It is hard to imagine anyone, even a ballplayer, entrusting his money to a man who lost millions of his own.) The bulk of his money, a reported $100,000 or so per year, comes from autograph shows and the Home Shopping Network, where he peddles his own wares. Caps, cards, T-shirts, little plaster figurines of himself as a pitcher—all emblazoned with the number 329, his career victory total. He sells these objects by mail, too, out of a tiny, cluttered office in a nondescript, wooden building a few miles from town. A sign out front lists the building’s occupants, lawyers and such. But there is no mention of Carlton’s enterprise, Game Winner Sports Management, and he likes it that way.

“We didn’t want a sign up so people would know where we are,” he says, smiling. In fact, even the occupants of the building aren’t sure where “the baseball player’s” office is.

“We have a toll-free number [1-800-72LEFTY],” he says. “We accept VISA and checks. Just send me a check and don’t bother me.” Now as Carlton finishes with his yoga, the instructor in the black tights ushers one of the children over to him. The teacher is smiling, giggly, blushing, a vaguely attractive woman who seems to have a crush on Carlton. She leans close to him and says, “I have someone who wants to meet you.” Carlton shrinks back from her even as she urges the uncomprehending child toward him.

“Go ahead,” she says. The child looks up at the towering man and says, “Happy birthday.” Carlton blinks, confused.

“I don’t celebrate birthdays,” he says.

At the foot of a steep, winding dirt road rutted with snow, Steve Carlton stops his truck and gets out to engage its four-wheel drive. When he gets back in and begins driving carefully up the path, he says, “I’ve been lucky. I’ve had teachers in my life. One guy began writing me letters, four or five a week, in 1970. That’s the year I won 20 games with the Cardinals. He told me where the power and energy comes from. He was a night watchman. We talked on the phone a few times and met a couple times. He was a very spiritual guy. All I knew about him was that his name was Mr. Briggs. Then he was gone as quickly as he came into my life. It was a gift.”

When he reaches his bunker, at twilight, he stops and gets out. He looks out over his land and says, “There’s nothing like being by yourself. I’m reclusive. I want to get in touch with myself.” He glances sideways, and adds, “But society is coming.”

That’s why he is preparing by being self-sufficient. He is not so self-sufficient, however, that he’s ever mustered the courage to butcher his animals for food. But, that’s a moot point now. All his chickens were killed by raccoons last winter.

It’s late. Carlton has a dinner appointment. But he’s not sure what time it is now, because he doesn’t wear a watch. “I never know what time it is,” he says. “Or what day it is. Time is stress. Pressure melts away if you don’t deal with time. I don’t believe in birthdays, either. Or anniversaries. I don’t watch television. We don’t read newspapers. We don’t even have a Christmas tree. Those things hold vibrations of the past, and I exist only in the now. Bev is even more into it that I am.”

He trudges through the snow to the side door of his odd, domed bunker. Inside, he puts the flat of one palm against the concrete and says, “I’m waiting for the coldness to come out of the walls.” Bev is waiting for him in the living room. She is a small, sweet, nervous woman, sitting in a chair by a space heater. She used to bleach her hair blonde, but now her short cut is its natural brown. She smiles as her husband sits down across from her. She hugs herself from the cold, and then drags on a cigarette.

Their home is starkly furnished, not out of design but necessity. A few wooden tables, a bookcase filled with Carlton’s Eastern metaphysical books, a patterned sofa and easy chair, hand-me-downs from their son Scott, 25, a bartender in St. Louis. Their other son, Steven, 27, lives in Washington State, where he writes children’s songs.

Carlton doesn’t like to talk about his kids. “Why do you have to know about them?” he says plaintively. He doesn’t talk much about his parents, either, whom he rarely sees or speaks to. They, it seems, are another part of Carlton’s past that he has cut out of his life.

“The correspondence lacks,” admits Joe Carlton, 87 and blind. “We don’t hear from him much. It’s okay, though.”

“We keep up with him in the newspapers,” says Anne Carlton, who says of her age, “It’s nobody’s damned business.”

The elder Carltons are sitting in the shadowed, musty living room of their small, concrete house in North Miami, where they raised their son and two daughters, Christina and Joanne. From the outside, it looks uninhabited. The drab house paint is peeling, and the yards out front and back, dotted with Joe’s many fruit trees, are overgrown, rotted fruit littering the tall grass.

Inside, the furniture is old and worn, and thick dust coats the television screen. Even the many photographs and newspaper articles on the walls are faded and dusty, like old tintypes. The photos are mostly of their son in various baseball uniforms. As a teenager—gawky, with a faint, distant smile, posing with his teammates, the Lions. With the Cardinals, his hair fashionably long, back in the ’60s. Then with the Phillies, posing with Mike Schmidt, captioned MVP AND CY YOUNG.

“No, I haven’t heard from him,” says Joe, a former maintenance man with Pan Am. He is sitting on an ottoman, staring straight ahead through thick glasses. “I can’t see you, except as a shadow,” he says, staring out the window. He is a thin man, almost gaunt, with long silvery swept-back hair. He is wearing a faded Hawaiian shirt.

“It’s no special reason,” says Anne, sitting in her easy chair. “He just doesn’t call me anymore.”

“He called when Anne’s mother died, at 101,” says Joe. Then he begins to talk about his son as a child. How Joe used to go hunting with him in the Everglades. “We used to shoot light bulbs,” he says.

“Steve was a natural-born hunter,” says Anne. “Tell what kind of animals you hunted in the Everglades.”

“Lions and tigers.”

“Oh, you didn’t. There are no lions and tigers in the Everglades. Tell what kind of animals.”

Joe, confused, says, “There were lots of animals.” Anne shakes her head. “Steve was always quiet,” adds Joe, trying to remember. “He wasn’t very talkative around the house when he was a boy.” He fetches an old scrapbook and opens a page to a newspaper photograph of his son in a Phillies cap. There is a zipper where his mouth should be.

“Can I bum a cigarette off you?” Anne says to their guest. “Oh, you don’t have any. Too bad.”

“The last time we saw Steve was five years ago,” says Joe.

“It wasn’t that long ago.”

“Yes, it was. Time flies.”

“It was only four years.”

“He never told us about his house.”

“We don’t even know where Durango is. I never heard of it. Have you seen his house? Really, it’s built into a mountain?”

“Steve got an interest in his philosophies when he got hold of one of my books when he was in high school,” says Joe.

“He doesn’t believe in Christmas trees anymore?” asks Anne. “We always had a Christmas tree. Bev liked Christmas trees. No, we never asked him for any money,” Anne continues. “He would have given it to us if we asked, though.”

“He never helped us financially. I didn’t need it.” Joe, who is also hard of hearing, cups a hand around an ear. “What? His sons? You mean Steve’s sons? No, we never hear from them, either.”

“Our daughters call, though,” says Anne.

“They came down for my 85th birthday,” says Joe. “They gave me a surprise party. Steve didn’t come.”

Joe gets up and goes into a small guest room where, on a desk, dresser, and two twin beds, he has laid out mementos of his son’s career. A photograph of a plaster impression of Steve’s hand when he was a boy. A high school graduation photo of Steve with a flattop haircut.

“Steve doesn’t collect this stuff,” says Joe. “He’s too busy. Here’s another picture of Steve. I got pictures all over. I got another picture here, somewhere, when we took Steve to St. Augustine, where Anne is from. It’s a picture of Steve in the oldest fort in America. He’s behind bars.”

Joe rummages around for the photo, disturbing dust, but he can’t find it. He leafs through one last scrapbook; on its final page is a photograph of a burial mound of skulls and bones, thousands of them, piled in a heap. Joe looks at it and says, “We took it in Cuba. See here what I wrote at the bottom: The end.”

There are no photographs of Joe and Anne in their son’s living room. No photos of his and Bev’s children. No photos of themselves when younger. No wedding photos of smiling bride and bridegroom. No photos of Carlton in a Phillies uniform or on a hunting trip. There are no keepsakes of their past. No prints on the wall. No Christmas tree, no presents, nestled in cotton snow. There is nothing in that huge, high, concave, whitewashed concrete room except the few pieces of nondescript furniture and the space heater. Bev and her husband seem dwarfed by the cave like room. They huddle around the space heater like a 20th-century version of the clan in the movie Quest for Fire. Mere survival seems their only joy, their only beauty, except for the view through the sliding-glass living room doors of the La Plata mountain range, all white and purple and rose in the setting sun, which Beverly has turned her back on.

Bev tries to make small talk as she drags on her cigarette. Curiously, her husband no longer hates cigarette smoke as he once did as a ballplayer, when he claimed he could taste it on his wineglass if someone in the room was smoking. Of course, in those days he didn’t eat red meat either because of the blood. His thinking has changed now, he has said, because he realizes “that the juice of anything is its blood, that the juice of a carrot is the carrot’s blood.”

Bev is talking about the time she and other Phillies’ wives met Ted Turner. “Oh, yes,” she says, “he kept putting his hands on the behinds of the wives.”

“He was crude and vulgar,” says Carlton. “What’s wrong with America?” He shakes his head in disgust and begins a long monologue on the unfairness of the American government, primarily because it won’t allow its citizens to walk around armed. Bev listens patiently smiling her thin smile, her head nodding like a small bird sipping water. Her husband is right. She is a lot like him. Frightened. When it is time to meet their guests for dinner, Carlton stands up. Bev remains seated hugging herself against the cold.

“Oh, I’m not going to dinner,” she says without explanation. “Just Steve.”

It’s confusing to their guest, until he remembers Carlton’s words: “Bev wants me to get out into the world,” Carlton had said. Which is what she is doing now: sending him out into that fearful world in order to make a living for them. It’s something she knows he has to do on his own if they are going to survive, like a mother bundling her tiny child off the school for the first time. Meanwhile she sits at home in their stark bunker huddled close to the space heater for warmth, worrying about him out there, alone and scared, in the real world he shunned for so many years.

---

Postscript

Pat Jordan (as told to Alex Belth): I did Steve Carlton for Philly Magazine, which was the most controversial thing I did other than the Inside Sports piece on Steve and Cyndi Garvey.

The Carlton story is a riot. So I’m working for my friend Elliot Kaplan in Philadelphia and I wasn’t getting paid a lot. I’d known Eliot for years and done a lot of work for him when he was at GQ. Carlton was going to be inducted into the Hall of Fame and he had been a Philly guy.

I had one rule with Eliot. I said, “As long as you pay me what you pay your other writers, I don’t care. But if I ever find out that you were paying me less because of our friendship, I’ll be really annoyed.” He wasn’t paying much but I’d do whatever I could for him.

He wanted me to do Steve Carlton, but he didn’t have the budget to fly me to Durango, Colorado, which is an expensive flight. L.A. would be a cheap flight from Fort Lauderdale, where I lived at the time. New York is a cheap flight. Durango is not.

Now, I had an assignment to do Brian Boitano for the L.A. Times Magazine, so I booked a triangle flight: Ft. Lauderdale, San Francisco, did Boitano, took a puddle-jumper to Denver, rented a car, and drove to Durango. My wife Susan went with me and we got to Denver in the middle of a snow storm. We get on this puddle-jumper plane and they are de-icing the wings to go fly over the Rocky fucking Mountains. I hate to fly and I said, “Oh shit, this is how I’m going to die? I’m going down for friendship, for Eliot? I’m going to die in the fucking mountains for Steve Carlton, who I didn’t want to do anyway?”

I knew nothing about Carlton other than he hated to talk to the press. But he was going to the Hall of Fame and he wanted to capitalize on it. So I get there. I’m supposed to meet him the next morning at a gym, at 10. Susie and I got up at 6 or 7 and it’s freezing in Durango. We drive and I find the gym so I know where it is. Before we go to breakfast I drive back to the airport to make sure I can find my way back there. On the way, we get a flat tire on the highway. It’s so cold my hands are sticking to the lug nuts. I change the tire. Now, I’m in a panic to get back to Carlton, and I’m going to get back just in time. I get back to the gym, he’s doing yoga or something, there’s women running around, kids, and we start talking. I wasn’t tape-recording because there was too much noise.

Carlton was odd. He told me, “I’m up here because I wanted to be secluded because of what America’s becoming,” or something like that. So I changed the subject and told him about a new gun I had bought. I’m into guns. For some reason, I knew that would perk him up. So I mentioned that I had gotten a Czechoslovakian military pistol, a CZ 85.

He said: “Oh yeah, that’s a great gun. You know you’d better bury that in PVC pipes because the UN is coming in black helicopters to confiscate all of our guns.”

I said, “Oh, really?”

He said, “Yeah, it’s a world organization that’s dictated by the Elders of Zion, the twelve Jews in Switzerland who control the world.”

At this point, I just let him go. We went from the gym to his office where he was selling all of his tchotchkes, figurines of him pitching, autographs. This is how he thought he was going to make a living, ’cause he was almost broke at the time. He had lost a fortune because of his agent.

So we talked in his office and then I went out to his house, which is like a concrete bunker. And he was really weird. I called Eliot and said: “Eliot, this guy’s crazy. He’s the kind of guy who should not be allowed to read a book. He believes everything in the last book he read. Like the whole Elders of Zion thing. He told me he had read that in a book.” Well, shit, there are other books than that.

So I wrote the story and it caused a big stink. The Today Show came down to interview me. Now, after the story came out, everybody started defending Steve. Tim McCarver, Jim Kaat, all these guys who were in the fraternity of ex-athletes. Even though they knew I had written the truth, I was not in the fraternity. I was the outsider, the outlaw freelance writer living in Florida. The guy you can’t trust. So the papers are running pieces about what a hatchet job I did on poor Steve Carlton.

---

Eliot Kaplan (via email): I had recently moved to Philadelphia Magazine as editor-in-chief after several years as the deputy at GQ. Pat had done some fantastic stories for us at GQ, everything from Greg Louganis and Pete Rose Jr. to Marilyn Chambers and Traci Lords. When I got to Philly, he was kind enough to agree to write for me, more out of friendship than money. We paid him whatever our top rate was then, probably $2,000-2,500. Including travel expenses!

Steve Carlton had not talked to any media in almost 20 years but was going to be inducted into the Hall of Fame and agreed to be interviewed. I think both Pat and I were expecting a rather bland, clipped interview but figured Pat could make something out of it, as he always does. Pat ended up flying over a winter holiday, through a bumpy blizzard, into Colorado.

He called me that night. I remember leaving a holiday dinner and him telling me, “He’s nuts. Carlton is nuts,” and proceeding to describe the bunker-type residence, Carlton’s vast conspiracy theories, his almost survivalist mentality.

Pat got great stuff and wrote a spectacular piece.

It came out in the April issue and then … nothing. Not a peep in the media.

Two reasons come to mind. First, Philly can be a weird place. The newspapers and Philadelphia Magazine were always competitive and antagonistic toward each other, so they weren’t going to talk up the piece. And remember, this was before the internet or magazines having publicists.

But more importantly, the same issue featured a very juicy story in which the popular mayor, Ed Rendell, was quoted making extremely saucy, suggestive comments to reporter Lisa DePaulo. THAT story was the one that grabbed the headlines, including a few front days of the Philly Daily News.

It wasn’t until about a week later when my friend, the writer and Philadelphia native Joe Queenan, was on a New York radio show and mentioned the Carlton piece, that it suddenly exploded, with the New York media being the ones driving it and the Philadelphia media then forced to react. I don’t think it affected sales of the magazine by that point but it definitely got a lot of chatter and reaction from Phillies PR, who denied everything. You can look up a Tim McCarver interview in Times that basically said, Yeah, Carlton is kinda nuts but not an anti-Semite (which I believe, but the Elders of Zion thing was easy for people to pick up on). Thought I came up with a good line to one reporter: “Carlton was always known for his slider. Turns out screwball is more like it.”

---

[Photo Credit: Martina Lindqvist; Tabitha Soren]

Heroes by Ralf Ziegermann.

Couple of weeks ago I was on the train and looked around and noticed that were only a few white faces. It wasn’t an unusual sight. It was common. I just happened to make a note of it and then moved on to whatever else was on my mind.

It’s one of the things you take for granted when you live in New York–and can be painfully aware of when you leave: diversity.

[Photo Via: Think Different]

Come Hither.

[Photo Via: Belles d’Amour]

Let’s Get Lost:

Lost in Manhattan from Gunther Gheeraert on Vimeo.

[Photo Via: mOrtality]

Cool little feature over at Esquire. Kareem Abdul-Jabbar lists 20 things he wish he’d known when he was 30:

Be patient. Impatience is the official language of youth. When you’re young, you want to rush to the next thing before you even know where you are. I always think of the joke in Colors that the wiser and older cop (Robert Duvall) tells his impatient rookie partner (Sean Penn). I’m paraphrasing, but it goes something like: “There’s two bulls standing on top of a mountain. The younger one says to the older one: ‘Hey pop, let’s say we run down there and screw one of them cows.’ The older one says: ‘No son. Let’s walk down and screw ’em all.’” Now, to counter the profane with the profound, one of my favorite quotes is from the philosopher Arthur Schopenhauer: “Talent hits the target no one else can hit; genius hits the target no one else can see.” I think the key to seeing the target no one else can see is in being patient, waiting for it to appear so you can do the right thing, not just the expedient thing. Learning to wait is one of my greatest accomplishments as I’ve gotten older.

Listen more than talk. And that’s all I’m going to say about that.

Being right is not always the right thing to be. Kareem, my man, learn to step away. You think being honest immunizes you from the consequences of what you say. Remember Paul Simon’s lyrics, “There’s no tenderness beneath your honesty.” So maybe it’s not that important to win an argument, even if you “know” you’re right. Sometimes it’s more important to try a little tenderness.

When choosing someone to date, compassion is better than passion. I’m not saying she shouldn’t be passionate. That’s a given. But look for signs that she shows genuine compassion toward others. That will keep you interested in her a lot longer.

 

Good piece on a group of session musicians called “The Section” by David Browne in the new issue of Rolling Stone:

[Danny] Kortchmar’s terse guitar riffs, inspired by his hero Steve Cropper, nudged their way into the songs. He had his own rules: “The parts gotta be simple. You gotta help the song. Don’t step on the singer.” Kunkel became known not just for his firm, unobtrusive playing but as one of the few drummers who would read the words to a song before recording. “I’d get a feel for what the artist was trying to portray,” he says. “If it’s a love story and doesn’t require big drums, what can I do to complete the story?”

…They may also be the last of the great session crews, before home studios, Pro Tools and GarageBand made studio ensembles superfluous. With them, a style of pop – and of making records – came to an end. “I’m running around with a baton in front of me and there’s no one to hand it to,” says Sklar. Asked to name their successors, producer Rick Rubin – who occasionally uses a small, hand-picked combo when recording with acts like Adele and the Dixie Chicks – pauses. “I’m not sure,” he says. “You don’t really need bands anymore.”

Kortchmar, Kunkel, Wachtel and Sklar have been approached about participating in a rock & roll fantasy camp devoted to rhythm sections. “If one of your ambitions is to hang out with Sammy Hagar, you’ll be disappointed with us,” Kortchmar says. “But we want to demonstrate what it’s like to play in an ensemble. That isn’t taught much by anyone.”

[Photo Credit: Joe Martz]

Mike Brodie’s pictures of kids on freight trains.

Dig this article on Raymond Chandler by Jonah Raskin over at Boom:

Raymond Chandler relished finding names for his quirky characters, including Philip Marlowe, the pipe-smoking, chess-playing private eye—a literary kinsman to Sam Spade, Dashiell Hammett’s solitary sleuth—whom I first met in the pages of fiction as a teenager and whom I have known more than fifty years. Sometimes the names are dead giveaways about the morality or immorality of the character, sometimes they’re opaque, but I’ve always found them intriguing and an open invitation to try to solve the mystery myself. In his first novel, The Big Sleep (1939) Chandler calls the bellicose gangster Eddie Mars, the smut peddler Arthur Gwynn Geiger, and the top cop Captain Cronjager. In The High Window (1942), Lois Magic is the femme fatale, Linda Conquest is a torch singer, and Leslie Murdoch is the effete son of a nasty heiress who has murdered her own husband and brainwashed Merle Davis (a wholesome girl from the Midwest and a victim of sexual assault) into thinking she’s guilty of the crime. Nice people, Marlowe observes wryly.

Born in Chicago in 1888, near the end of the Victorian era, raised in England among elite Edwardians, and transplanted to Los Angeles in 1913, Chandler saw California through the eyes of an English eccentric. A veteran of World War I who was wounded in action in France, and a child of Prohibition and Depression America, he recognized that crime was an industry in both boom and bust times, and a rich field for a writer. Then, too, as a displaced person and an alien in the Southern California world of cars and freeways, among phony and lonely people, he tapped into a vast reservoir of mass discontent. In his seven novels, all of them set in and around Los Angeles, he depicted the world as a vile place inhabited by loathsome people. A cynic, he envisioned no way to escape nastiness—certainly not by going to the movies, which, in his view, offered much the same trite boy-meets-girl story over and over again and trivialized psychological issues and social problems.

“Twenty-four hours a day somebody is running, somebody else is trying to catch him,” Chandler wrote of LA. He added that it was “a city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness.” Chandler loved and hated LA in much the same way that Balzac loved and hated mid-nineteenth-century Paris and F. Scott Fitzgerald loved and hated Jazz Age Manhattan.

[Featured Image Via the most cool: Daylight Noir]

“Eugenie in the Garden” by Lilla Cabot Perry.

Cinephilia and Beyond on Cool Hand Luke.

Friday night, went to Eataly for bread and prosciutto; Saturday, the Farmer’s Market.

It was uncommonly beautiful in New York today, one of those days that the weatherman likes to call one of the ten best days of the year. Watching the Yankees on an HD TV, the colors and sharpness created an almost surreal hyper-realism.

Another pretty good game in a good series, too. The A’s won 5-4.

Tough day for Andy Pettitte as Brian Heyman reports:

“It’s a struggle,” Pettitte said. “The issue is everything. Everything I’ve got to do as a starting pitcher, I’m not able to do right now. … My release point is floating around a little bit. … It’s been a long, long time since I haven’t had a feeling for my pitches.”

Pettitte is good at being brutally frank when it comes to self-assessments.

“My cutter is nonexistent right now,” Pettitte said.

Joe Girardi said he wasn’t going to make a big deal out of two bad starts. Pettitte is just hoping to find a steady release point in a hurry.

“I wish I could tell you something hurt,” Pettitte said. “But I feel good.”

I wish I could be more expansive but I kept nodding off which added to the dreamlike quality of the afternoon. I was up in time to watch the end of a thrilling OKC-Memphis game and plenty awake to watch the Knicks take one in the nuts against the Pacers at the Garden.

Then I stretched, took a shower, changed clothes and took a good, long walk.

[Photo Credit: J. L. Russell]

Yanks and the A’s followed by Agita at the Garden.

Andy caught a beatin’ last time out, let’s see what he’s got today.

1. Gardner CF
2. Cano 2B
3. Wells LF
4. Hafner DH
5. Suzuki RF
6. Nix 3B
7. Overbay 1B
8. Nunez SS
9. Stewart C

Never mind the cool breeze:

Let’s Go Yank-ees!

[Photo Via: Eye Heart New York]

Phil Hughes pitched his best game of the year, Chris Stewart and Lyle Overbay hit solo home runs (Overbays was a bomb) and Mariano Rivera was the last man standing–though he didn’t earn a save–as the Yanks beat the A’s yesterday afternoon, 4-2.

Smiles all around.

Today gives another afternoon game and Game 1 of the Knicks-Pacers, which proves to be dramatic, dumb, aggravating, and other clumsy adjectives to describe hardship and pain.

But first, listen to this:

“Fallin'”–Teenaged Fan Club with De La Soul

[Photo Credit: Katherine Squler]

Cool breeze but just bee-too-tee-ful in the BX today.

Brett Gardner CF
Robinson Cano 2B
Vernon Wells LF
Travis Hafner DH
Ichiro Suzuki RF
Chris Nelson 3B
Lyle Overbay 1B
Eduardo Nunez SS
Chris Stewart C

Never mind the sun rays:

Let’s Go Yank-ees!

[Photo Via: The Minimalisto]

I watched the first part of the Yankee game on the count of I was too chicken to watch the Knicks. For me, as a casual Knicks fan, and one with a delicate constitution, they are more aggravating than enjoyable. So pronounced first-half leads–hell, 20-point 4th quarter leads–are just fool’s gold, dirty tricks.

But as the night wore on, and A.J. Griffin out-dueled C.C. Sabathia (both pitched well, in spite of a tiny strike zone), I found myself watching more of the Knicks and my emotion blurred out any memory of what was going on in the Bronx. (The A’s won, 2-0.)

The Knicks did almost blow a 20-point 4th quarter lead, of course, until Melo hit a huge three-pointer (and his first since Christ was a cowboy), and then Paul Pierce missed a shot before J.R. Smith scored and was fouled leading to another three-point play. Both possessions for the Knicks punctured the optimism and good cheer of the Boston crowd and that in and of itself was a pleasure to witness.

And so, the Knicks won a playoff round for the first time since 2000. Not only that, but they set the stage for another throwback match-up as they’ll face the Indiana Pacers–a bruising group–in the second round.

As Carlito once said, “Here comes the pain.”

Poppa Large toes the rubber tonight in the BX.

He hasn’t been throwing hard and  he has not been great, but he’s been tough and a gamer.

Brett Gardner CF
Robinson Cano 2B
Vernon Wells LF
Travis Hafner DH
Ichiro Suzuki RF
Eduardo Nunez SS
Lyle Overbay 1B
Jayson Nix 3B
Chris Stewart C

Wait, that’s Ichi batting fifth? Got to love your 2013 Yanks.

Never mind the agita those Knicks are giving ya:

Let’s Go Yank-ees!

[Photo Credit: John Iacono/SI]