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Category: Million Dollar Movie

Million Dollar Movie

 

Julie Bloom talks with Maggie Gyllenhaal about sex scenes from a woman’s perspective:

Q: Why is sex still such a complicated thing to tackle on film?

A: I’ve thought a lot about women in movies and sex and sex scenes. The question is why, if half of the adult population is women who have sex, why is it difficult to see? I personally think this doesn’t necessarily account for this movie, but the most interesting sex scenes that I’ve done or seen are the ones that are truthful from a women’s perspective — instead of what I think everybody got used to in the ’80s and ’90s: put on a black Victoria’s Secret demi bra and be lit perfectly and arch your back. That’s supposed to look like sex. But that doesn’t look like sex for most people, and if it does, I think you’re probably missing out on a lot. The more truthful you can be, the sexier it is and the more uncomfortable it can make you sitting next to a stranger in a movie theater.

Q: As an actress, do you look for roles that are more honest about sex?

A: Someone was talking to me about a film-school character trope, these women in their 20s, quirky, happy-go-lucky, don’t-need-anything kind of girl — that romantic comedy fantasy. But the problem with that fantasy — and I’ve been offered so many parts like that — mostly those women don’t have a lot of need. So you see a man kind of go, “This woman doesn’t care what I do.” I think everybody has great need and that’s so complicated. If somebody needs you, if you need them, all of a sudden you’re going to have responsibility and that’s part of what’s so scary about sex to begin with.

Q: What about these scenes makes them work or not?

A: There’s been such a history of sex scenes that don’t speak to me at all. So when you have the opportunity to do a sex scene and still be a real, thinking person in the midst of it, it can be an incredible way of expressing something about who you’re playing and something about the story. Sex on screen can be one of the most compelling ways of telling a story. Not if you stop acting — I think a lot of people stop acting and start pretending that they’re in a soft-core porn. But the women who don’t I get so interested in. It’s something we don’t talk a lot about in our culture and all of sudden there’s a comparable experience, like I had sex in this way and it felt disappointing and lonely or I’ve had sex in this way and experienced a connection I never could have felt any other way. That’s where I get really interested. Even if you’re talking to your friends, are you getting into the absolute deepest intimacies of it? Maybe, but to see someone act it well, it can make you feel like you have a connection to other human beings.

Wonderful insights. Move sex is often plastic and boring. By the numbers. You rarely see people have sex that is dissatisfying–unless it’s being done for laughs. I recently saw “Friends with Benefits” on TV and the sex scenes, between two attractive movie stars, were lifeless. They were filled with quick dialogue that was supposed to be witty and showed off the actor’s sculpted figures, but there was nothing erotic or sensual or credible about any of it.

Million Dollar Movie

Glitz n Glamour: Cannes at Everyday I Show.

Million Dollar Movie

Game got rained out so I’m watching “Spellbound” with the wife. She loves Hitchcock.

She is ascared, stressed, and can’t stop asking questions. “I love this movie,” she says. “Oh, I just love it.”

“How can you be typing at a time like this?” she says.

Million Dollar Movie

This could be good.

[Photo Credit: Getty Images]

Million Dollar Movie

Check out this beautiful little movie by Dustin Cohen.

The Watchmaker from Dustin Cohen on Vimeo.

Million Dollar Movie

 

Also via Ego Trip, the Muppets take Bed-Stuy.

Million Dollar Movie

Because some things are too cool not to share:

Via Kottke.

Million Dollar Movie

“Napoleon Dynamite” is an odd deadpan comedy. I remember the first couple of times I caught it on TV I didn’t know what to make of it. Then one day I saw it through to the end and it made me laugh though I didn’t know if I liked it exactly. It has a distinct tone and is self-aware but so sure. My pal Jay Jaffe loves it and every time I catch the movie on TV I can hear Jay laughing and that makes me happy.

Anyhow, it’s worth watching for this scene alone (and a nice job by the director in framing this scene so we can see Napoleon’s entire body):

Million Dollar Movie

From the not so wonderful “College.” Still, it’s Buster:

Million Dollar Movie

Because it never gets old.

Million Dollar Movie

Million Dollar Movie

Check out this coolness from Nicholas Rombes: The Blue Velvet Project.

Million Dollar Movie

This scene never fails to crack me up. Ham on rye, extra mustard.

Saturday Night Laff

Million Dollar Movie

From Buster’s classic feature, “Sherlock Jr.” So good it hurts.

Million Dollar Movie

If you’ve never seen “The Late Show,” well, you should.

It’s not a great movie but it’s more than solid–plus it looks great–and there are worse things you can do than watch Art Carney and Lily Tomlin.

Here’s Roger Ebert’s review. The movie was directed by Robert Benton and produced by Robert Altman. Come to think of it, “The Late Show” would make a sweet double feature paired with “The Long Goodbye.”

Big Sexy

Guys n gals…

Barbara Stanwyck.

Hubba

Hubba

Mama said knock you out.

 

 

Million Dollar Movie

I saw a wonderful documentary over the weekend.

Just see it.

Here’s Buck on Letterman:

Manohla Dargis reviewed the movie last summer in the Times:

Working with the cinematographers Guy Mossman and Luke Geissbühler, and shooting in digital that I often wished were film (the big-sky landscapes deserve a more nuanced texture), she tags after Mr. Brannaman, well, kind of as his trained horses do. That isn’t a bad thing. He and all the pretty horses make for mesmerizing viewing, especially when he’s quieting colts (he calls them babies) and their often more jittery handlers. “A lot of times,” he says in the voice-over that opens the movie, “rather than helping people with horse problems, I’m helping horses with people problems.”

Sometimes they’re the same thing, as a violent interlude with a weepy woman and her seemingly crazed stallion proves. This part of the movie works like a punch to the gut, but, given how close it edges into hagiography, it’s also necessary as a reminder of what’s really at stake. “Buck” is an imperfect documentary. It leaves nagging questions unanswered, including the fate of Mr. Brannaman’s brother, and the movie’s beauty shots at times threaten to embalm nature instead of exalting it. Yet in some sense it was beauty that saved Mr. Brannaman, that of his conscience and that of horses, which, having been tied to humans long ago, became companions, workers and for some, as this lovely movie shows, saviors.

Zorianna Kit’s Q&A with Buck answers  some of those nagging questions.

Oh, and Johnny France plays a small but critical role in Buck’s life. Go figure.

[Photo Credit: Flicke Flu]

Million Dollar Movie

Over at Vanity Fair, here’s a little piece on Anjelica Huston by Lillian Ross.

Million Dollar Movie

Here’s 85 movies that matter according to Martin Scorsese.

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