Sticking with old Stretch Armstrong Show freestyles, here’s a good one from Q-Tip and Mad Skillz (I remember a lot of heads turned on Tip after hearing this cause it was like hearing Cosby trying to be Pryor):

Just a heads-up that the PBS website is offering a 1-day sale today on the complete Ken Burns’ “Baseball” DVD box set (including the new “Tenth Inning”).  Its regularly $99 . . . but today you can snag it for $45 ($6 cheaper than even Amazon).

(image: shoppbs.org)

In a way, Gil McDougald was the poor man’s version of Pete Rose–only with a much better personality. McDougald, who died on Sunday at the age of 82, was voted to the All-Star team at three different positions, something that Rose would match during his would-be Hall of Fame career.

Whereas Rose showed versatility in playing three infield and two outfield positions, McDougald’s versatility was restricted to the infield. Yet, he could play anywhere on the inner diamond with almost equal efficiency. McDougald was an accomplished defender at three positions: second base, third base, and shortstop. Given his deftness at the three spots, Casey Stengel had the flexibility to mix and match his infield, based both on offensive and defensive matchups.

McDougald’s talent was evident from the beginning. In 1951, he earned American League Rookie of the Year honors. The award did not come without controversy; some observers felt that it should have gone to Chicago’s Minnie Minoso, or to McDougald’s teammate, a fellow named Mickey Mantle. It’s a debatable point, but there’s no doubt that McDougald played well as a freshman. He hit 14 home runs in 402 at-bats, reached base nearly 40 per cent of the time, stole 14 bases, and walked more than he struck out. He effectively backed up three infielders (Jerry Coleman at second, Phil Rizzuto at short, and Bobby Brown at third), always giving Stengel a quality option on the infield whenever one of his regulars needed to be platooned, or just given a day off.

One of the highlights of McDougald’s career occurred during the 1956 World Series. With Don Larsen in the early stages of his perfect game, McDougald saved his place in history by robbing Jackie Robinson of an infield single. Robinson’s line drive caromed off the glove of Yankee third baseman Andy Carey. Ever alert, McDougald fielded the ricochet from his position at shortstop and fired quickly to first base, beating Robinson to the bag. Seven innings later, Larsen would have his perfect game.

McDougald’s fielding, versatility, extra-base power, and ability to draw walks made him a valuable Yankee throughout the 1950s. To put it in the context of a more modern player, McDougald was like a latter-day Randy Velarde, only at a higher level. A five-time All-Star Game selection, McDougald surprised those who ridiculed his unusual batting stance. With his arms slumped awkwardly, McDougald batted out of an exaggerated wide-open stance. One scout referred to his appearance as that of a “broken banana stick.” Stengel repeatedly asked him to change the stance, but McDougald resisted until the end of the 1952 season. A .252 batting average convinced Gil that the time was right to make a change.

The change in stances was relatively mild compared to the shock that came McDougald’s way in May of 1957. Facing hard-throwing Herb Score of the Indians, McDougald swung at a low-outside fastball and hit a searing line drive up the middle. The ball hit Score in the right eye, ending his season and forever altering the arc of what appeared to be the beginnings of a Hall of Fame career. As McDougald watched blood streaming from Score‘s injured eye, he felt stick to his stomach. He told Stengel that he would quit the game if Score lost use of the eye.

Score eventually regained his vision, but McDougald took the incident hard. A sensitive and caring man, McDougald visited Score in the hospital immediately after the game. He also remained in touch with Score over the years. No reasonable thinker would have blamed McDougald for the injury–after all, hitters cannot steer the ball–but McDougald still felt guilty about what occurred. Perhaps McDougald took Score’s injury so much to heart because of what he himself had gone through two years earlier. As the Yankees took batting practice one day in 1955, Bob Cerv hit a line drive that struck McDougald squarely in the left ear. The blow shattered one of the bones in Gil’s ear, the impact of the injury leading to significant loss of his hearing after his playing days. McDougald would remain nearly deaf until 1995, when he received a cochlea transplant.

In spite of the traumatic incidents involving Cerv and Score, McDougald remained with the Yankees through the end of the 1960 season. He last appeared on the field in Game Seven of the ‘60 World Series, playing third base and watching Bill Mazeroski’s historic home run fly over the left-field wall at Forbes Field.

Although only 32 years old, McDougald saw his power and his playing time diminishing, and thought about spending more time with his family. A few weeks after the Series, he decided to call it quits. Even though the unlikely loss to the Pirates left a bitter taste, McDougald could take consolation in the eight World Series appearances and five rings that he had accrued during a ten-year run in New York. McDougald was much more than a bystander during the decade of success, as he earned American League MVP votes in five seasons.

Those MVP votes and World Series rings were nice rewards for an underrated player who went through his fair share of hardships. They also seemed fitting for a man who was a good teammate, a likeable opponent, and a strong family man. Like so many other ex-Yankees who have left us in 2010, Gil McDougald will be sorely missed…

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Ron Santo has passed away. The former third baseman who was as close to a Hall of Famer as you can get without actually being one, was 70.

 
Another tough loss for the baseball world.

"Huzzah!"

Excellent if unsurprising news for Bomber fans, who can sleep a little easier tonight: Mariano Rivera is going to re-up. The Daily News got the scoop:

I never thought that Mo would leave, or that the Yankees would let him, but nevertheless: phew. And the deal seems fair to me. Obviously with any player Rivera’s age, there are concerns — but he hasn’t slipped an inch yet, and this contract isn’t going to be too huge a drag on the Yanks even if he does. Like almost everything else he’s ever done in New York, the negotiations seem to’ve been smooth as silk.

Scott Raab is a one-man gang after LeBron James. I think his stuff on the James Misghegoss has been funny.

I admire Wright Thompson for many reasons, chiefly his talents as a reporter and his ambition as a bonus piece writer, but his most recent article is a bloated and self-important piece on James’ return to Cleveland. It brings out Thompson’s worst quality, all too often, he WRITES FOR THE AGES, and in the process he gets in the way of the story.

I like Charles Pierce’s take best:

This Blog would like to state for the record how tired it has become of the city of Cleveland, and its basketball team, and its basketball fans, and anything to do with how all of the above had their poor widdle hearts broken last summer when a player decided that seven years was long enough for anyone to play basketball in Cleveland. (And no more bellyaching about The Decision, either. Had The Decision gone the other way, and had he announced that he was staying, nobody in Cleveland would have been clutching their pearly about the good taste of it all.) This also goes for everyone else in every other city — including this one — who has been wailing the Ich bin ein Clevelander blues all season. Not one of you really cares about Cleveland or its basketball fans. Do not assume everyone in your audience is as dumb as a rock.

Seriously, get over yourselves, all of you.

I say James and the Heat romp tonight.

Oh, hell yes. Classic late-night freestyle:

Parsnip and Potato Mash: another sure shot from Food 52.

In the everybody loves an underdog department comes the winner of the National Book Award for fiction.

Dig this belated review in the New York Times by Janet Maslin:

Ms. Gordon began her serious writing career in 1963, at 19. She wrote a linguistically quaint parallel-universe novel, “Shamp of the City-Solo,” that appeared in 1974. Regarded by some as an underground classic, it had fallen into relative obscurity by the middle 1980s, when Ms. Gordon discussed it in a long interview with Gargoyle Magazine. Gargoyle is the sort of publication that has ardently scrutinized Ms. Gordon’s work over the years. More mainstream ones, like The New York Times, have managed barely to notice her at all.

So how should her win be understood? Should it be seen as a general triumph for small-press authors (Ms. Gordon’s publisher, McPherson & Company, which has championed her work for decades, remains a company with a post office box for a mailing address), or as a full-blown, legitimate recognition of 2010’s best work of fiction? Perhaps “Lord of Misrule” would not be so startling if Ms. Gordon’s other books had been more widely read. But this novel is so assured, exotic and uncategorizable, with such an unlikely provenance, that it arrives as an incontrovertible winner, a bona fide bolt from the blue.

With the Yanks done playing and busy counting money by the fireside this winter, I exercise my grumble a few times a week watching Georgetown basketball. Pacing back and forth in front of the TV, ignoring more pressing responsibilities, so I’m ready for total immersion again in the spring.

Tuesday night, the nationally-ranked Hoyas toppled more highly-ranked Missouri in Kansas City 111-102 in OT. If I had read the boxscore without seeing the game, I would have thought it was written by a Tolkien fan playing a joke. But I saw it, so I know better. I was geeked and up way past bedtime thinking about it.

The game was an instant classic, a Georgetown 3 pointer at the buzzer tied the game at 94 and forced overtime. 188 points in regulation! And then the Hoyas ran riot in the extra session pouring in 17 more points in five minutes. It was beautiful basketball. As I jammed my eyes shut trying to force myself to sleep, it occurred to me that the style of their play was as much a part of the excitement I was experiencing as the victory itself.

“Beautiful basketball” and “Georgetown” may seem a strange juxtaposition for those not intimately familiar with the Hoyas’ recent history. Their current coach, John Thompson III, is the son of the legendary John Thompson Jr., who imposed a dominating team on America in the 1980s, centered by Patrick Ewing. “Hoya Paranoia” spread far and wide, less about the winning, more about the way they played, the way they shunned the media, and of course, for some, the color of their skin. Blocked shots and big dunks were the tools. Intimidation and fear were the by-products. But few, if any, thought to associate “beauty” with their style.

Heck, for some, the face of Georgetown in the 1980s is not Patrick Ewing nor John Thompson Jr., but snarling Michael Graham. A guy who played only one season for Georgetown and averaged only 14 minutes per game. He was a freshman learning the ropes for much of the season, but played exceedingly well in the NCAA tournament and iced the title game with a monster jam, which graced the cover of Sports Illustrated. The next week, his face and shaved head was waiting in mailboxes for sports fans across the country. It’s hard to imagine someone doing less and leaving a bigger imprint on the national sports scene.

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Mornin’ y’all.

The Yanks have re-signed Serge Mitre. We haven’t got a worry in the world! Also, I was struck with a second-guess last night. Cliff Lee has made such a good nemesis for the Yanks the past few years, what if he signs for less and spurns the Bombers? Then, we’ll have something to get all sweaty about.

I have no idea how Zack Greinke feels about New York City. The word used to be that he did not want to pitch here — because, it was usually implied, all the stress and pressure of New York would be hard on someone dealing with social anxiety disorder and depression, as Greinke famously has. Then came word that someone was saying maybe Greinke actually likes New York after all; followed quickly by word that the Yankees aren’t buying it.

Earlier today, Craig Calcaterra wrote that “our speculation about what Zack Greinke may or may not be able to handle in light of his anxiety disorder is ignorant, silly and in some ways irresponsible,” and “the only ones who know for certain about whether Greinke wants to be in New York and whether his anxiety issues would be triggered by playing there are Zack Greinke and his doctor.” I agree with that, mostly. Practicing amateur psychiatry on someone you’ve never met is rarely an effective practice.

Craig then continues, “To suggest we know better is to suggest that we know the first thing about how anxiety disorder works and how it’s operating in a specific patient. I think I know a lot of stuff, but I don’t believe I know that. Do you?” To which I say, well, yes to the former, though no to the latter. I know extremely little about Greinke, certainly not the specifics of his psychiatric makeup. But I do know quite a bit about depression and anxiety disorder, as both run in my family —  to paraphrase Cary Grant  in Arsenic and Old Lace, they practically gallop.

The idea that New York would be especially bad for someone with Social Anxiety Disorder seems to me completely unfounded. Depression and anxiety are internal matters; they may be triggered to a greater or lesser extent by external factors, but an otherwise healthy person isn’t likely to become clinically depressed because New York features a lot of media attention, while S.A.D. is a disorder precisely because its feelings of anxiety are not reflective of reality. Greinke might find New York stressful or he might not, might like it or not, but it’s unlikely that external factors would determine his mental health. I know plenty of people who deal with anxiety and depression and who find New York much easier to thrive in than their smaller hometowns.

Besides — though this may less true among athletes and sports fans than in the city’s larger culture — few places on earth are more accepting of psychiatry. Not to turn this post into a Woody Allen riff, but our shrink per capita ratio is off the charts, and New Yorkers talk about their therapists about as frequently as they discuss the weather (granted my view is probably a little warped from working in publishing and journalism, where psychotherapy is essentially mandatory).

It’s fun to speculate about Zack Greinke becoming available via trade – really, it’s either that or read more about Derek Jeter’s negotiations, or Brian Cashman’s decision to rappel down a building in an elf costume. (Is anybody else getting a little worried about that guy?). But even aside from the inappropriateness and inutility of attempting to psychoanalyze Greinke, it seems to me too many people have bought into the idea that New York is inherently stressful and requires visitors to bring the best brand of cbd gummies they can find with them, therefore someone with anxiety should not come here. On the contrary. This city accepts anxious migrants from all over the world.

The Times goes Ghetto.

Here’s Steve Davis, writing in the Texas Observer about curating Cormac McCarthy’s archives:

McCarthy grew up in Tennessee, and he published four critically acclaimed novels set in the South during the 1960s and 1970s. Each sold poorly, and he lived at the edge of poverty. A fiercely private man, he refused to do book signings, lectures, or interviews. One former wife, British singer Anne DeLisle, once lived with McCarthy on a pig farm. She recalled that, “Someone would call up and offer him $2,000 to come speak at a university about his books. And he would tell them that everything he had to say was there on the page. So we would eat beans for another week.”

In 1981, McCarthy bought a house in El Paso after receiving a MacArthur Foundation “genius” grant. There he began writing books set in the Southwest. His 1985 novel, Blood Meridian, received little attention at the time but is considered a classic today. In 1992, McCarthy’s fortunes changed with All the Pretty Horses, which made the best-seller list and won the National Book Award. McCarthy did not show at the ceremony to claim his prize.

…Another screenplay, No Country for Old Men, was finished in the 1980s. Yet nothing happened with it for nearly 20 years, until McCarthy rewrote that story as a novel, published in 2005. The early version of No Country for Old Men is unusual by McCarthy’s standards because it contains a conventional happy ending. Sheriff Bell and a very-much-alive Llewelyn Moss team up in a climactic gun battle to take down the Evildoer—named “Ralston” in this draft. Having the good guys prevail was an obvious ploy to a potential buyer, another indication that McCarthy was more market-oriented than his legend would have it.

When I’d begun my research in the McCarthy archive, I’d pretty much believed in the mythological version of him. I viewed McCarthy as the ultimate literary outsider, a man immune to most commercial considerations. As he’d told Oprah on TV, he didn’t really care whether millions of people read his books. The portrait of McCarthy that emerges in the archives is more complex. McCarthy had briefly allowed me into his living room that cold December morning, but it was the archives that allowed me to wander around the rooms of his house.

I like Ben Affleck more as a director than I do as an actor and “The Town” is an efficient, if implausible, entertainment. Affleck has good taste and the movie is well-cast, shot, and edited. Affleck is wooden as an actor and I just don’t buy him as a tough guy. That said, I would have liked to see him swap roles with Jeremy Renner who is largely wasted in the Johnny-Boy Nutzo role. Renner, at least based on his work in “The Hurt Locker,” would have brought so much more to protagonist than Affleck. Pete Postlethwaite and Chris Cooper are terrific in supporting roles.

Then there is “Winter’s Bone,” the critical darling of the summer. If you missed it the first time around, do yourself a favor and rent it. It is a chilling movie that features a sensational lead performance (one that we should be hearing about come Award season). Everything about the movie is sure without being over-the-top. This is one of the special movies of the year, the kind that gives you faith in the medium. And that’s word to Uncle Teardrop.

Brian Cashman met with Derek Jeter’s agent yesterday. A source told me that a deal will be worked out soon. A second source then informed me that the first source doesn’t know what the hell he’s talking about, and a third source informed me that the first two sources were figments of my imagination. Right.

The Winter Meetings are next week. My hunch is that by the time they are finished, Mariano Rivera, Derek Jeter and Cliff Lee will sign with the Yanks. That’s a hunch, not coming from a source.

It’s like butter.

Shuffle on, now.

Been reading the Keif book. It’s fun (in small doses).

So is this:

Maybe its the stress of the Jeter negotiations.  Maybe its the pressure to add a front-line starter to the rotation.  Maybe its just a side of Brian Cashman we’ve never seen.  Whatever “it” is, the uncertainty and oddness of the off-season has taken another wacky turn, with news today that the Bombers’ GM will rappell down a building in an elf costume.

The Stamford Downtown Special Services District has announced Cashman will join this year’s Heights and Lights event as a celebrity guest elf, accompanying Santa Claus on a 22-floor rappel down the Landmark Building.

“Brian Cashman will be there with smiles and his Yankee jacket, rappelling,” said Sandy Goldstein, director of the DSSD.

This of course means that Cashman will cover more ground vertically than Jeter did horizontally during 2010.  I’m sure Cashman will point that out to Casey Close the next time they speak.

“Santa Claus is rarely unaccompanied in his acrobatic 350-foot descent down the side of the Landmark Building, a Stamford tradition. While the man in red is often escorted by the Grinch and Rudolph, this is the first time a member of the Yankees franchise is to take the plunge.”

Acrobatic?  Brian Cashman?  Its not like we’ve seen him deftly floating across the stage on “Dancing with the (Free Agent) Stars”.  Also, if they wanted the Grinch, I’m sure Cashman could have arranged for Hank Steinbrenner to be there.  As for Rudolph . . . no, you can’t come, Mr. Giuliani.

“Santa and Cashman will kick off the holiday season in Stamford Sunday, when they step off the Landmark building’s ledge at 4:30 p.m. Music performed by local students and a fireworks display will accompany the rappel.”

Please G-d, keep the fireworks display away from the rappelling Cashman.  If we’re going to lose our primary “rosterfarian” (they don’t eat shellfish or pork, but have been known to eat a free agent contract bust or two), let it be through the usual excuses like incompetence, paranoia or inappropriate office behavior.

“This is going to be a surprise for all,” Goldstein said. “Will he be an elf in Yankee clothing or a Yankee in elf clothing? You’ve got to come Sunday night to find out.”

Does it matter?  Its going to be Brian Cashman . . . as an elf . . . rappelling down a 22-story building!

(Image: etsy.com)