"A New York Treasure" --Village Voice
Category: 1940s

May 25, 1941: Game 11

The Yankee winning streak came to an end on this afternoon at the hands of the Red Sox, 10-3. Once again, DiMaggio managed only a single, but the big story was Williams. He smashed three singles and a double, all four hits rifled between the first and second basemen, and raised his average to a league-leading .404. Though both men boasted eleven-game hitting streaks, Williams was clearly the hotter hitter. A quick trivia note: DiMaggio’s single came off veteran and future Hall of Famer Lefty Grove. Grove had also given up one of Babe Ruth’s record sixty homeruns in 1927, making him one of two pitchers to contribute to both historic accomplishments. Finally, young Johnny Sturm also managed to extend his streak, bring his total to nine.

May 24, 1941: Game 10

Suddenly working on a streak of their own, the Yankees won their fourth straight game (not including the suspended game from the day before) and three other notable streaks continued as well. Trailing 6-5 in the seventh, DiMaggio capped a four-run rally with a two-run single, bring the score to its final count, 7-6. It was his only hit of the game. Williams, for his part, singled twice, raising his streak average to a blistering .447. Neither of these accomplishments had yet been noted by the press, but it was reported that Yankee rookie first baseman Johnny Sturm was nursing an eight-game string. Manager Joe McCarthy had inserted him in the lineup just a day before the beginning of his streak, and reporters following the team were tracking his progress, waiting for the bubble to burst. They still weren’t on to the true story; eventually they’d figure things out.

May 23, 1941: Game 9

The Yankees and Red Sox entered Friday afternoon’s game at the Stadium in third and fourth place respectively, trailing the Cleveland Indians and Chicago White Sox by a handful of games. Like the Yankees, the Red Sox had been struggling; their record sat at en even 15-15. While DiMaggio had been putting hits together recently, Boston’s great slugger, Ted Williams, was doing the same. Both players entered the game riding identical eight game hitting streaks, and both kept their streaks alive.

In keeping with the similar states of the two teams and their stars, the game ended in a 9-9 tie, called on account of darkness. The game wouldn’t count in the standings (it would eventually me made up as part of a July 1st doubleheader), but the stats were good. RBI singles for DiMaggio and Williams were enough to keep them streaking, but not enough to earn a win for either team.

[Photo Credit: Associated Press]

May 22, 1941: Game 8

The Yankees earned their third straight win on this day with a 6-5 victory over the Tigers. DiMaggio managed only a seventh-inning single, but it was enough to keep his streak alive. It’s likely that DiMaggio was unaware of his young streak at this early date, and as yet there had been no mention of it in any of the local papers, but both he and the Yankees were beginning to turn their seasons around.

May 21, 1941: Game 7

For the first time in almost two weeks the Yankees were able to put together consecutive wins. DiMaggio wasted no time in extending his streak, as he singled and drove in a run in the first inning to help the Yanks beat the visiting Detroit Tigers, 5-4. Bill Dickey saw his streak end at twenty-one, but in Boston Ted Williams pounded out four hits to equal DiMaggio’s streak at seven games. Williams would match DiMaggio game for game for quite some time. You might remember that 1941 would turn out to be quite a year for Teddy Ballgame as well.

May 20, 1941: Game 6

Continuing the pattern, the Yankees followed a loss with a win as they topped the Browns in a slugfest, 10-9. DiMaggio lost a sure hit in the fifth as St. Louis third baseman Harland Clift made a spinning stab of his liner for a fielder’s choice at second, but the streak continued with a clean single to center field in the eighth. Bill Dickey extended his own streak to twenty-one and raised his average to .391 with a three hit game.

May 19, 1941: Game 5

The Yankees continued their pattern of alternating wins and losses as they lost to the Browns, 5-1, before a crowd of only 5,388. For the first time in the young streak DiMaggio was forced to wait until his final turn at bat to keep his string intact as he doubled to left with two outs in the seventh inning. He finished the game 1 for 3, but catcher Bill Dickey homered for the Yankees’s only run and extended his own hitting streak to an impressive twenty games.

May 18, 1941: Game 4

A crowd in excess of thirty thousand filled Yankee Stadium on this Sunday afternoon and watched as the Yankees pummelled the worst team in the American League, beating the St. Louis Browns, 12-2. Lefty Gomez, one of DiMaggio’s closer friends on the team, started and got the win. Joltin’ Joe went three for three on the afternoon, scoring three times and driving in a run. New York papers reported the next day that two of the hits could’ve been called errors, and the third was a single awarded on the basis of catcher’s interference, the result of a rule which has since been changed. At any rate, the three hits brought DiMaggio’s four-game totals to 7 for 14, an even .500; the slump was certainly over.

May 17, 1941: Game 3

The day after appearing to snap out of their funk, the Yankees slipped again, losing to the White Sox, 3-2. The Yanks were now a game below .500 at 15-16, and they stood a disappointing 7 1/2 games behind the streaking Cleveland Indians (23-9) in the American League standings. DiMaggio was limited to a single in the second inning, but he had now hit in three consecutive games.

[Painting by Erin Wong]

Color by Numbers: See You in September

For minor leaguers, September 1 is like the day after high school tryouts when you check the list on the gymnasium wall to see if you made the team. After being confined to only 25 men, the active rosters expand to 40 once the calendar turns from August, allowing for reinforcements from the minors. Dating back as far as the beginning of the last century (the concept was based upon a delicate business arrangement with what was then the independent minor leagues), this tradition of promoting serviceable journeymen and/or promising young prospects marks not only a rite of passage for the players finally getting a crack at the big leagues, but also heralds the final month of the pennant race.

This year, the Yankees announced that their lone September call-up will be Jesus Montero, a 22 year-old catcher who ranks among the best prospects in the game. Although many September promotions are regarded more as a chance to give a young player a taste of the major leagues, Montero is expected to play a significant role for the Yankees as they head down the stretch. There has even been some speculation that Montero will take over as the Yankees’ DH against left handers.

Whatever role he plays, the promotion of Montero is a bit of a departure for the Yankees, who have not had a position player make a September debut since 2008. In addition, the team has not had a raw rookie compile more than 25 plate appearances in the final month since Gerald Williams came to bat 27 times in 1992. So, if Montero does in fact see regular playing time, he will distinguish himself in that regard.

Yankees’ September Call-Ups, Since 1919

Note: Only those players making their major league debut in September are considered. Years without call-ups are omitted.
Source: Baseball-reference.com

Of the 84 position players that the Yankees have promoted for the first time in September, only 17 have had more than 25 plate appearances. With a few notable exceptions like Roy White, Bobby Murcer, and Hank Bauer, not many from the list went on to make a lasting impression. In fact, only a handful made much of a first one. Included in the latter group is the aforementioned Williams, who posted an OPS of 1.000. Meanwhile, on the other end of the spectrum, is Charlie Spikes, who managed an OPS of .348 in his September call-up. However, Spikes made up for his lackluster debut during the off season when he was traded as part of package that helped the Yankees acquire Graig Nettles from the Indians.

What makes Montero’s promotion different from most in the above list is the Yankees’ place in the standings. Aside from Hank Bauer in 1948 (1.5 games behind) and Fenton Mole in 1949 (three games ahead), all of the prior September call-ups were given their shot when the team was playing out the string (i.e., seven or more games out of a playoff spot).

Yankees’ September Call-Ups with At Least 25 PAs, since 1919
Source: Baseball-reference.com

Just because the Yankees haven’t had much of a meaningful impact from their position player call-ups is no reason to despair. After all, the team has promoted several impact players who were only given a September cup of coffee. Included on that list is Yogi Berra, Don Mattingly, and Jorge Posada, so if Montero falls in line, the Yankees should be more than happy.

Notable by their exclusion from the call-up list this year are Manny Banuelos and Dellin Betances, the two most heralded pitching prospects in the Yankees’ farm system. Once again, that’s mostly par for the course in the Bronx as only seven Yankees’ pitchers have made their major league debut in September since 1992. However, that doesn’t mean the team hasn’t had rookies make an impact on the pennant race. Mel Stottlemyre and Joba Chamberlain are two examples to the contrary, but each was promoted before the final month. When confined to September, there haven’t been many notable additions.

Yankees’ September Call-Ups with At Least 3 GS/15 IP, since 1919

Source: Baseball-reference.com

Once again, with the exception of Walter Beall in 1924 (one game behind) and Ian Kennedy in 2007 (five games behind), if a Yankees’ pitcher was given a significant look in September, it was done at a time when the team wasn’t competing for the post season. Among those with at least three games started or 15 innings pitched in their September debut, the most notable call-ups were Vic Rashi, Al Leiter, Dave Righetti, and Kennedy. It’s also worth noting that both Righetti and Stan Bahnsen won the rookie of the year award two years after their initial September call-up.

Montero’s ascension to the major leagues has been long awaited by Yankees’ fans, so expectations are bound to exceed reason. Nonetheless, the young catcher has a chance to make a rare September contribution for a Yankees’ team in pursuit of a championship. More importantly, however, the Yankees hope their wunderkind will do much more than help out this year. After all, making it the majors is often said to be the easy part for the most talented players. Remaining there is another story. A look at the Yankees’ past September call-ups illustrates that often repeated adage. That’s why what Montero does in his first month will be nowhere near as important as the impact the Yankees hope he will have over the rest of his career.

We Want You on Our Side

Kostya Kennedy is on the Varsity Letters panel tonight. If you are downtown, be sure to fall through and hear him talk some Joe D.

Observations From Cooperstown: Old Timers' Day

Bar none, it’s my favorite promotion on the Yankee calendar. It is “Old-Timers’ Day” and it arrived early this year. For the 65th time in their history, the Yankees officially celebrated their past glory. It is somewhat hard to believe, but Joe Torre and Bernie Williams participated in their first Old-Timers Day, several years after completing iconic careers in the Bronx. Their presence alone made the day special, but I was just as interested in seeing old schoolers like Moose Skowron and Hector Lopez, characters like Oscar Gamble and Joe Pepitone, and even those Yankees who made only cameos in the Bronx, including Cecil Fielder, Lee Mazzilli, and Aaron Small.

More so than any other sport, baseball revels in its ability to celebrate its past. Some would call it nostalgia; I’m more tempted to call it history. No franchise has had more cause to recall its own accomplishments than the Yankees, given the team’s longstanding on-field success, which began with the arrival of Babe Ruth in 1921. So it’s no surprise that the Yankees became the first team to introduce the concept of an Old-Timers’ Day to its promotional calendar.

The Yankees initiated the promotion in the 1930s, though they didn’t actually refer to the event as Old-Timers’ Day. Rather, the tradition began more informally as solitary tributes to retired stars like Babe Ruth and Lou Gehrig. The salute to Gehrig became the best known of the early Old-Timers affairs. On July 4, 1939, the Yankees staged “Lou Gehrig Day” at Yankee Stadium as a way of paying homage to a legendary player whose career had been cut short by the onset of ALS.

After several former and current Yankees delivered emotional speeches lauding Gehrig as both a player and teammate, the retired first baseman stepped to the microphone. In an eloquently stirring address, Gehrig referred to himself as “the luckiest man on the face of the earth,” full knowing that he had only a short time to live because of the ravages of the disease. (Gehrig would succumb to ALS only two years later, at the age of 37.) At the conclusion of his speech, the capacity crowd responded with deafening applause, signifying its appreciation for an “old-timer” who had met with the unkindest of fates.

Seven years later, the Yankees introduced their first official Old-Timers’ Day to the franchise’s promotional slate. Rather than concentrate the honors on one retired player, the event became a celebration of teamwide accomplishments that had taken place over past years. Inviting a number of the team’s former stars to the Stadium, the Yankees introduced each one over the public address system, with each player acknowledging the applause from the 70,000-plus fans in attendance.

Ever since the 1946 event, the Yankees have held Old-Timers’ Day on an annual basis, always on a Saturday or Sunday afternoon, and usually sometime from mid-July to mid-August. (Other teams followed suit in the 1960s and seventies, particularly older franchises with sufficient history to draw from. Even an expansion franchise like the Mets participated in the tradition by celebrating the New York roots of the Giants and Dodgers.) In the earlier years of the event, the Old-Timers’ Game pitted former Yankees against retired stars from the rest of baseball, with the non-Yankees wearing the opposition uniforms of their most prominent teams. In more recent times, the Yankees have invited only former Yankees to the party, largely because they have so many retired stars from which to choose, some as far back as the 1940s. The retired stars now play a kind of celebrated intra-squad game, pitting the “Bombers” against the “Pinstripes.”

Other than the game itself, the format of Old-Timers’ Day at Yankee Stadium—with an on-field announcer introducing each retired player, who then jogs (or walks) from the dugout to a spot along the foul line—has remained relatively unaltered. Yet, the voices have changed. For years, famed Yankee broadcaster Mel Allen handled the emcee duties exclusively. Standing at a podium behind home plate, Allen introduced each retired player with his stately Southern drawl. Eventually felled by declining health, Allen gave way to the less acclaimed but highly professional Frank Messer, the team’s longtime play-by-play voice who was best known for his on-air partnership with Phil Rizzuto and Bill White. In recent years, radio voice John Sterling and television play-by-play man Michael Kay have shared the announcing chores—a far cry from Allen’s dignified presence at the microphone.

Over the years, Old-Timers’ Day has occasionally managed to overshadow the events of the “real” game played later in the day by the existing version of the Yankees. This has especially been the case during the franchise’s lean years. In 1973, the Yankees staged one of their most elaborate Old-Timers events as part of a 50th anniversary celebration of Yankee Stadium. The front office invited every living member from the 1923 team, the first to play at the Stadium after the relocation from the nearby Polo Grounds. With Gehrig and Ruth long since deceased, the Yankees invited their widows to participate in the ceremony from box seats located along the first base dugout. Mrs. Claire Ruth and Mrs. Eleanor Gehrig, both outfitted in oversized Easter hats, helped bid farewell to the “old” Yankee Stadium, which was slated for massive renovation after the 1973 season. The day became even memorable because of a development in the Old-Timers’ Game that followed; the fabled Mickey Mantle, retired five years earlier, blasted a home run into the left-field stands. The Mick still had some power in his game.

One of the most indelible Old-Timers’ moments occurred only five years later. After the usual introductions of retired players, the Yankees stunningly declared that Billy Martin would return as Yankee manager. Martin had been fired only five days earlier, done in by his damning declaration that “one’s a born liar, and the other’s convicted,” a reference to the duo of Reggie Jackson and George Steinbrenner.

In spite of the omnipresent New York media, the Yankees somehow succeeded in keeping news of Martin’s return a complete secret. There were no whispers, no rumors, no hints in the local newspapers. Having managed to keep the agreement with Martin in tow throughout the morning and early afternoon, the Yankees arranged to have all of their old timers introduced as usual by Allen, clearing out a final announcement for their deposed manager. Explaining that Yankee Stadium public address announcer Bob Sheppard would now deliver a special announcement, Allen turned over the microphone to his announcing counterpart. Maintaining his dignified delivery throughout, Sheppard revealed that Martin would return to the Yankee dugout two years later, in 1980, with recently hired manager Bob Lemon moving up to the front office as general manager. As a gleeful Martin trotted onto the field at a sun-splashed Yankee Stadium, a capacity crowd greeted him with a prolonged standing ovation that was motivated as much by shock as it was by joy.

In terms of dramatic theater, it was as timely and well orchestrated as any announcement I’ve seen during my lifetime as a fan. It showcased Old-Timers’ Day at its best, combining the predictable and orderly splendor of a ceremonial day with an unexpected and newsworthy development that bordered on spontaneity.

We didn’t see that kind of news making event yesterday, but that didn’t make the day any less significant. Seeing former Yankees in uniform, sometimes for the first time in years, is something that will always prompt the goose bumps. If you like and appreciate the history of this franchise, then Old-Timers’ Day remains the one day that cannot be missed.

[Photo Credit: Ron Antoneli, N.Y. Daily News]

Bruce Markusen writes “Cooperstown Confidential” for The Hardball Times.

Twice as Nice

Fresh direct from our man Mark Lamster’s Twitter feed this afternoon, a tourist shot of the Empire State Building from the 1940s:

Beat of the Day

Shake it, folks.

Beat of the Day

From my pal Jay…

R.I.P. Charlie Louvin.

Mug Shots

The hits keep coming. My man Eric Nusbaum hipped me to these cherce selections from the Harry E. Winkler Collection of boxing photographs.

Treasure!

Every once in a while something comes along that is so unbearably tremendous that I can’t help but feel rejuvenated, filled with enthusiasm and faith in the world.

Like this story…

…About the guy who found a treasure and is now sharing it with the world.

Dig this piece by Nora O’Donnell for Chicago Magazine:

On an unremarkable day in late 2007, John Maloof, a young real-estate agent, spent some time at a local auction house, RPN Sales in Portage Park, combing through assortments of stuff—some of it junk—that had been abandoned or repossessed. A third-generation reseller, Maloof hoped to find some historical photographs for a small book about Portage Park that he was cowriting on the side. He came across a box that had been repossessed from a storage locker, and a hasty search revealed a wealth of black-and-white shots of the Loop from the 1950s and ’60s. There’s got to be something pertinent in there, he thought. So he plunked down about $400 for the box and headed home. A closer examination unearthed no scenes of Portage Park, though the box turned out to contain more than 30,000 negatives. Maloof shoved it all into his closet.

Something nagged, however—perhaps a reflex picked up from working the flea market circuit as a poor kid growing up on the West Side of Chicago. Though he knew almost nothing about photography, he eventually returned to the box and started looking through the negatives, scanning some into his computer. There was a playfulness to the moments the anonymous artist had captured: a dapper preschool boy peeking from the corner of a grimy store window; an ample rump squeezing through the wooden planks of a park bench; a man in a three-piece suit napping, supine, in the front seat of his car, his right arm masking his face from the daylight. Whoa, Maloof mused. These are really cool. Who took them?

Vivian Maier, a French ex-pat, that’s who:

After a call to the Tribune left him with a faulty address and a disconnected phone number, Maloof didn’t know where to turn. In the meantime, though, he started displaying Maier’s work on a blog, vivianmaier.com. Then, in October 2009, he linked to the blog on Flickr, the photo-sharing website, and posted a question about Maier’s pictures on a discussion board devoted to street photography: “What do I do with this stuff (other than giving it to you)?”

The discussion went viral. Suggestions poured in, and websites from around the world sent traffic to his blog. (If you Google “Vivian Maier” today, you’ll get more than 18,000 results.) Maloof recognized that this was bigger than he’d thought.

He was right about that. Since his tentative online publication of a smattering of Vivian Maier’s photographs, her work has generated a fanatical following. In the past year, her photos have appeared in newspapers in Italy, Argentina, and England. There have been exhibitions in Denmark and Norway, and a showing is scheduled to open in January at the Chicago Cultural Center. Few of the pictures had ever been seen before by anyone other than Maier herself, and Maloof has only scratched the surface of what she left behind. He estimates that he’s acquired 100,000 of her negatives, and another interested collector, Jeff Goldstein, has 12,000 more (some of them displayed at vivianmaierphotography.com). Most of Maier’s photos are black and white, and many feature unposed or casual shots of people caught in action—passing moments that nonetheless possess an underlying gravity and emotion. And Maier apparently ranged far and wide with her camera—there are negatives from Los Angeles, Egypt, Bangkok, Italy, the American Southwest. The astonishing breadth and depth of Maier’s work led Maloof to pursue two questions, as alluring in their way as her captivating photographs: Who was Vivian Maier, and what explains her extraordinary vision?

Here’s David Dunlap in the New York Times:

What is known about Ms. Maier is that she was born in New York in 1926, lived in France (her mother was French) and returned to New York in 1951. Five years later, she moved to Chicago, where she worked for about 40 years as a nanny, principally for families in the North Shore suburbs. On her days off, she wandered the streets of New York and Chicago, most often with a Rolleiflex twin-lens reflex camera. Apparently, she did not share her pictures with others. Many of them, she never saw herself. She left behind hundreds of undeveloped rolls.

Even if you don’t think Ms. Maier has the makings of a minor master from the mid-20th century whose work can now be appreciated, you’ll probably be affected by at least a few of her photos.

And if you’re nearing 60 and grew up Chicago, you’re almost bound to feel — as I do — that a precious past has been rescued that we didn’t even know existed; thousands of blinks of the civic eye, tens of thousands of beats of the public heart.

Thank you, John Maloof. You are doing a great public service.

Here’s the website:

Enjoy.

Beat of the Day

Let’s get “classy” shall we?

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"This ain't football. We do this every day."
--Earl Weaver