Yesterday, Diane sent me this little piece on Christopher Walken from the New Yorker:
Walken doesn’t use a computer. “The Internet is strange,” he said. “There’s stuff on the Internet about me. I’ve tried to find out who puts it there. Something about how I go around to hot-dog festivals, that I’m a champion hot-dog eater.” Then, there’s the IMDB Web site, which says that Walken has a film “in production” called “Citizen Brando.” “I have no idea what that is.” He said he’d had a few encounters with Brando.
“Once, in the nineties, I was in Nova Scotia, doing a movie. It’s my day off, and I’m reading a book and the phone rings and this woman says, ‘Christopher Walken, are you going to be there in the next ten minutes? Marlon Brando would like to talk to you.’ I thought, This is one of my friends pulling my leg. So I said, ‘O.K.,’ and I hung up. And the phone rang again, and the second he spoke you could tell it was him. And Brando said, ‘I play the piano, you know.’ And I said, ‘No, I didn’t know that.’ And he said, ‘And I dance.’ He told me he wanted to put cameras in his house—he wanted to do a variety show out of his house. And I said, ‘Well, what can I do for you?’ He said, ‘You did this picture “Pennies from Heaven,” and I like the numbers in that. I want you to help me get in touch with the guy who did those.’ I told him it was Danny Daniels, the choreographer. Brando never did it, I guess. I’d certainly watch. Wouldn’t you?”
Perhaps my favorite Walken performance was in the movie version of Dennis Potter’s “Pennies From Heaven”–and if you’ve never seen the original TV series with Bob Hoskins, do yourself a favor and track it down. Dig this, it is sure to kick start your day:
