Blogging will be light today but we’ll be back tonight for the game in Boston. In the meantime, do yourself a favor and check out the great images over at It’s a Long Season.
Blogging will be light today but we’ll be back tonight for the game in Boston. In the meantime, do yourself a favor and check out the great images over at It’s a Long Season.
“I have learned over the years that there comes a rare and precious moment where there is absolutely nothing better than silence. Nothing better to be absolutely speechless to sum up a situation. And that was the moment. Holy mackerel.”–Vin Scully.
[Via Hardball Talk]
Last night I sat in a barber’s chair in the Bronx. The rain had stopped. There was one customer in the place, the sound of an electric razor buzzing filled the room. So did the voice of one of the barbers. He sat in his chair, feet propped and talked into his cell phone.
My barber smiled and looked at me in the mirror. Maybe he thought I understood Spanish better than I do but I didn’t need to know what was being said to understand he was arguing with a woman.
“His girlfriend?” I said?
“Maybe,” my barber said. “Maybe her boyfriend.”
We both grinned.
While the buzzing and the arguing continued to the right of me, I heard Vin Scully’s voice coming from the television set to the left of me. The Dodgers and Phillies were in extra innings and the game was on the MLB Network. Vin sounded tired. So did the crowd. I remembered The Simpsons episode when Homer goes to a game and doesn’t drink: “I never knew baseball was so boring.”
But it was boring in a soothing way. Soon, the buzzing stopped and so did the arguing. The room felt still in that heightened way of quiet that occurs sometimes just before you fall into a deep sleep. The only sound was Vin’s voice. I felt calm and happy.
[Photo Credit: Flick River]
What Vincent Edward Scully first came to Los Angeles to broadcast Dodgers baseball games in 1958, he worried because he could not find the essence of the city. The center. The heart. He was 30 years old, and he had some clear ideas about what it took to call a baseball game. He thought it was important that the hometown baseball announcer know the hometown. So, he kept looking for this PLACE. That’s was how his mind worked then. There had to be a place. Back in New York, there was always a place.
Vin Scully heard life in New York City rhythms then — well, he had grown up in New York. He went to school in New York. He had worked with Red Barber in New York. And in New York there’s always a place, doesn’t matter if it’s Brooklyn or the Bronx, Harlem or Greenwich Village, Manhattan or Queens. There’s a place you go, where people gather, where decisions are made, where the energy pulses, where everything starts.
“In New York, for me, it was Toots Shor’s,” he says. That was the restaurant, of course, there on 51st street between 5th and 6th Avenues but closer to 6th. That was where things were always going on, where Vin could feel the city’s vibrations, its power. He might see Joe DiMaggio sitting with Marilyn Monroe. He might catch Frank Sinatra talking a little boxing. He might catch a glimpse or Ernest Hemingway or see Jackie Gleason hold court or see Judy Garland sitting in a corner. More than anything, though, he might hear what was happening in his town, what mattered, and Vin Scullly needed to know these things. He felt sure they made him a better baseball announcer.